Ambrosia (2012)

Velasco Broca directed "La Costra Láctea" in 2002, as the result of an institutional assignment to develop a sexual education video for teenagers. The film, mixing fokloric Spain with fetishism and aliens, was ultimately not approved as educational material and ended up being broadcast in TVE's La 2, in the show Versión Española, with Bigas Luna's feature "Bilbao".

The story tells of an extraterrestrial invasion in which the aliens kidnap bodybuilders for reasons that escape our understanding.

A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.

The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.

Outside, the first sun rays break the dawn. Sixteen years old Catarina can't fall asleep. Inconsequently, in the big city adults are moved by desire... Catarina found she is HIV positive. She wants to drag everyone else along.

"Christopher's Christmas Mission"- A tale about a boy who steals Christmas gifts from the wealthy to give to the poor people of Stockholm, while working in a post office on Christmas Eve.

Documentary about the making of and legacy of The Creature from the Black Lagoon included in The Legacy Collection box set.

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he’s there, or why he’s bleeding from a stomach wound. Apparently drugged, he occasionally ‘zones out’ of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

In this follow-up to his stop-motion hit Western Spaghetti, director PES transforms familiar objects into Fresh Guacamole.

An experimental short film from Toshio Matsumoto featuring Mona Lisa.

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

A team of inept undertakers attempt to get a coffin to a funeral on time. An undertaker is in charge of moving a coffin from a home to the church. The home is on the 26th floor of a skyscraper; the stairs are narrow; the lift is small and prone to stop working. Chaos ensues.

Buster's handmade boat, The Damfino, is finished and is, of course, too large to get through the basement door. When he drives off with it in tow, the side of his house, then the whole thing, collapses. At the harbor he rides the boat out only to have it sink beneath him. The rest is a series of adventures he and his family have with the restored boat.

This short film continues the adventures of the title character as he tries to retrieve his elusive acorn.

The film’s premise is about a group of warriors and scientists, who gathered at the “Oude Kerk” in Amsterdam to stage a crucial event from the past, in a desperate attempt to rescue the world from destructive robots.

A collection of six gay-themed short films about relationships and the pain of love, including: REQUITED (directed by Sal Bardo), BOYS LIKE YOU (directed by Daniel Armando), WE ONCE WERE TIDE (directed by Jason Bradbury), REVOLUTION (directed by Abdi Nazemian), THE IN-BETWEEN (directed by Alain Hain) and FROZEN ROADS (directed by Mark Pariselli).

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

The Peanuts Gang competes in a punt, pass and kick contest. The winner gets a new bicycle and a trip to the Super Bowl. Meanwhile, Snoopy coaches the Birds football team (made up of a bunch of Woodstock-like birds) to the AFL (Animal Football League) Super Bowl.

A craftsman builds a glass harmonica that enlightens him. He travels to a town where the people are obsessed with money. A bureaucrat smashes the glass harmonica which leads to chaos and eventually to social reform.

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by