Strauss Fantasy (1954)
Genre : Music
Runtime : 10M
Director : Johnny Green
Synopsis
Johnny Green leads the MGM Symphony Orchestra in a medley of waltzes and other familiar pieces by three members of the Strauss family.
Walt Disney's timeless masterpiece is an extravaganza of sight and sound! See the music come to life, hear the pictures burst into song and experience the excitement that is Fantasia over and over again.
Violinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.
A Spanish orchestra conductor deals with the mysterious disappearance of his girlfriend.
Arima Kousei won numerous piano competitions while under the strict watch of his mother. He was known as the human metronome during that time. Since the death of his mother, Kousei has been unable to hear the sound of his piano. He then meets Miyazono Kaori through childhood friend Sawabe Tsubaki. Kaori plays the violin and has a free sprit. Since meeting her, Kousei is able to face the piano again. Meanwhile, Kaori holds a secret.
After a defecting Russian general reveals a plot to assassinate foreign spies, James Bond is assigned a secret mission to dispatch the new head of the KGB to prevent an escalation of tensions between the Soviet Union and the West.
Blending lively music and brilliant animation, this sequel to the original 'Fantasia' restores 'The Sorcerer's Apprentice' and adds seven new shorts.
Blown Away tells the story of Jimmy Dove who works for the Boston bomb squad. Shortly after Dove leaves the force his partner is killed by a bomb that Dove thinks might have been made by someone he knows.
When troubled musical prodigy Charlotte seeks out Elizabeth, the new star pupil of her former school, the encounter sends both musicians down a sinister path with shocking consequences.
The Parrs' baby Jack-Jack is thought to be normal, not having any super-powers like his parents or siblings. But when an outsider is hired to watch him, Jack-Jack shows his true potential.
A former world-famous conductor of the Bolshoï orchestra, known as "The Maëstro", Andreï Filipov had seen his career publicly broken by Leonid Brezhnev for hiring Jewish musicians and now works cleaning the concert hall where he once directed. One day, he intercepts an official invitation from the prestigious Théâtre du Châtelet. Through a series of mad antics, he reunites his old orchestra, now composed of old alcoholic musicians, and flies to perform in Paris and complete the Tchaikovsky concerto interrupted 30 years earlier. For the concerto, he engages a young violin soloist with whom he has an unexpected connection.
Like his father, Tom is a real estate agent who makes his money from dirty, and sometimes brutal, deals. But a chance encounter prompts him to take up the piano and become a concert pianist. He auditions with the help of a beautiful, young virtuoso pianist who cannot speak French - music is their only exchange. But pressures from the ugly world of his day job soon become more than he can handle.
Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.
A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.
When the beloved cellist of a world-renowned string quartet is diagnosed with a life threatening illness, the group's future suddenly hangs in the balance as suppressed emotions, competing egos and uncontrollable passions threaten to derail years of friendship and collaboration. As they are about to play their 25th anniversary concert — quite possibly their last — only their intimate bond and the power of music can preserve their legacy.
A small Egyptian police band travels to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves stuck in the wrong town.
It's late 17th century. The viola da gamba player Monsieur de Sainte Colombe comes home to find that his wife died while he was away. In his grief he builds a small house in his garden into which he moves to dedicate his life to music and his two young daughters Madeleine and Toinette, avoiding the outside world. Rumor about him and his music is widespread, and even reaches to the court of Louis XIV, who wants him at his court in Lully's orchestra, but Monsieur de Sainte Colombe refuses. One day a young man, Marin Marais, comes to see him with a request, he wants to be taught how to play the violin.
Before he left for a brief European visit, symphony conductor Sir Alfred De Carter casually asked his staid brother-in-law August to look out for his young wife, Daphne, during his absence. August has hired a private detective to keep tabs on her. But when the private eye's report suggests Daphne might have been canoodling with his secretary, Sir Alfred begins to imagine how he might take his revenge.
Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow disappearance of that audience and of his advancing years. He is completely knocked off balance when he meets strikingly attractive and much younger businesswoman Marion. She seems distant and apparently otherwise involved but soon shows quiet signs of reciprocating his interest.
A dance band leader finds love and success in Brazil.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.