Brick and Mortar and Love (2012)

When record store owner and compulsive list-compiler Rob Gordon gets dumped by his long-time girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in order to figure out what went wrong. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.

The employees of an independent music store learn about each other as they try anything to stop the store being absorbed by a large chain.

In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank is preparing to send his hard-working daughter Sam off to college while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly jam sessions into a father-daughter live act. After their first song becomes an internet breakout, the two embark on a journey of love, growing up and musical discovery.

The story of Rudy Ray Moore, who created the iconic big screen pimp character Dolemite in the 1970s.

Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.

Teenage musicians travel to England's Spike Island in the hope of attending an outdoor performance by their favorite band, the Stone Roses.

Bucum Jackson (Cube) is a bounty hunter with a lot of attitude and no interest in taking on a partner. Working at Martinez Bail Bonds, Jackson has unorthodox methods of tracking down low-life criminals, but they work, and one day he hopes to become his own boss and open up his own private investigation firm. Reggie Wright (Epps) is a slippery con artist who is avoiding the law, and Jackson. During a cat and mouse chase, the two stumble on a multi-million dollar diamond heist. Hiding from Jackson, Wright finds himself in the thieves' getaway van and ends up having to escape from them after they discover their booty is fake, much to the displeasure of their ruthless boss (Flanagan). When Wright meets up with his girlfriend (Mendes), he discovers that his recently purchased lottery ticket is the sole winner of $60 million. Unfortunately, his wallet, which held the ticket, was left in the thieves' van, so he persuades Jackson to help him get it back.

Andie is an outcast, hanging out either with her older boss, who owns the record store where she works, or her quirky high school classmate Duckie, who has a crush on her. When one of the rich and popular kids at school, Blane, asks Andie out, it seems too good to be true. As Andie starts falling for Blane, she begins to realize that dating someone from a different social sphere is not easy.

After the death of Rini's mother, something is disturbing her family.

When average, law-abiding citizens suddenly turn to a life of hedonistic behavior and violent crime, Detective Tom Beck is tasked with helping young FBI agent Lloyd Gallagher determine the cause.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A documentary film in which a rock fan shows off his obsession and his memorabilia.

Interracial love story set in Detroit.

Eddie is a principled man, with a wife, a daughter and a mortgage and leads a seemingly stable and happy life as a government land assessor. Yet when the forces of economic and social change threaten this, he realises just how fragile his reality and security is. After losing his job, he checks his bank balance and finds he has only 'three dollars' to his name.

Ahto, armed with encyclopaedic knowledge and unbound love for obscure music, embarks on a journey to find the rarest vinyl records of the Soviet era.

A short film that tries to deter young people from shoplifting.

The owner of an unsuccessful greeting cards store decides to sell 'talking' greeting cards in the form of records.

In the conservative city of Munich, a local punk starts a record store. Inspiringly, the shop becomes a cultural hub for the worldwide punk community. BLACK WAVE is an intimate look at a resilient music scene set against the backdrop of today’s explosive politics.

A symbol of nostalgia for some, authentic object of art for others, the 33 rpm record is gaining in popularity. Even if it was pushed aside in 1990 by the compact disc, it’s now attracting a new generation of music lovers.

Cold War Leningrad: In a culture where the recording industry was ruthlessly controlled by the state, music lovers discovered an extraordinary alternative means of reproduction: they repurposed used x-ray film as the base for records of forbidden songs. Giving blood every week to earn enough money to buy a recording lathe, one bootlegger Rudy Fuchs cuts banned music onto such discarded x-rays to be sold on street corners by shady dealers. It was ultimate act of punk resistance, a two-fingered salute to the repressive regime that gave a generation of young Soviets access to forbidden Western and Russian music, an act for which Rudy and his fellow bootleggers would pay a heavy price.