Water Wrackets (1975)

An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious Tulse Luper and the keeper of the bird house at the Amsterdam Zoo.

Ostensibly, a film about a child's pictorial alphabet stuck on the letter H.

A narrator relates a variety of peculiar stories involving characters with the initials HC and their dealings with telephones. These are interspersed with artistic shots of telephone boxes in a variety of locations.

In this absurdist comedy Roland Jung is a young man who wants to write, but when he is in desperate need of money, he has to take a job at an advertising agency in Stockholm. He lands on the department for cosmetics and especially deodorant preparations. He is asked by the agency to do market research among the youth to determine their reaction to a new drug against pimples.

Mustafa Moradi is aching to find a girlfriend. On the other end of the city, Linnea is desperately searching for a guy with style, courage and a burning passion.

The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.

Romek, an idealistc 19-year-old boy, takes a job as a tailor in the costume department of a Warsaw theater company where his new colleague, Sowa, is pressured to make a costume for an overbearing soloist.

A documentary about acclaimed Swedish actor Thommy Berggren.

A free composition on the poem by Lambros Porfyras.

Using Snafu as an example, Techanical Fairy First Class teaches the methods of effective camouflage.

A feature-length documentary, possibly focusing, at least in part, on the recent anti-globalization protests in Gothenburg, Sweden and the alleged police misconduct during the protests.

A haggard mosquito complains how tough life is with the military taking the proper precautions against malaria infection.

Egyptologists are attacked by mummies, drawing the attention of Superman.

A double agent trying to deliver information to Washington, D.C. is chased by Nazi operatives.

One night, Matiss Zelcs, an employee of the Latvian national archive in Riga, notices a woman on a bridge. After passing by her without preventing her suicidal fall into the depths, a sensation of failure and guilt changes his life. He cannot forget her. Driven by a feeling of remorse and the fever of illusion, he roams through the city night and day looking for traces of her existence. This journey through the tumult of his conscience leads him deeper into his own loneliness and the depths of his soul, as he gets more and more entangled in the destinies of the woman and of the people who were attached to her. He finds himself confronted with the pain of yearning and guilt, the cruelty of love and desire, and the search for forgiveness, release and salvation.

A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera positioned in front of the walls; experimental editing techniques, no dialogue-just background music, and quick edits of blackness throughout.

A sort of documentary on the people known to have fallen out of windows in a certain time frame in a certain geographical location. One of Greenaway's early short films.

When things go wrong at the circus, it's up to Superman to stop the escaped animals.

Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.

The stooges arrive in Hollywood hoping to make it in the movie business. They sneak into a movie studio where they are mistaken for three new executives who were due to arrive. After taking over production of a movie, causing the director and cast to walk off, Moe takes over as director, with Larry and Curly as the leading man and lady. When the real executives send a telegram explaining why they haven't arrived, the stooges must leave on the run.