In Titan's Goblet (1991)

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

A portrait of a dedicated filmmaker who is a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.

Several figures move through the darkness on a cliff-edge. An inaudible conversation near the brow of the cliff may be the cause for the group to disband. The rest of the film follows the solitary journey of the youngest member of the group, until she rests; where land meets the sea.

Peter Hutton’s meditation on the Hudson River.

A documentary short in Chott el-Djerid.

In 2005, a suicide bomber walked into Ashraf's wedding, killing 27 people. Now he is on a quest to confront terrorism around the globe.

A color-separation portrait of the Exarchia neighborhood of Athens, Greece, made during the Anti-Austerity protests in late 2011. In a place thick with stray cats and scooters, cops and Molotovs, ancient myths and new ruins; where fists are raised like so many columns in the Parthenon, this is a film of surfaces - of grafitti'd marble streets and wheat-pasted city walls - hand-processed in red, green, and blue.

An investigation of the emotional and economic value of Africa's most lucrative export: filmed poverty. Deep in the interiors of the Congo, Dutch artist Renzo Martens single-handedly undertakes an epic journey and launches an emancipatory program that helps the poor become aware of what is their primary capital resource: Poverty. After three years of traveling through the Democratic Republic of the Congo he asks the question: "Who owns poverty?

A stunning study of real-time light changing from day to night which was filmed in a forest high up in California’s Sierra Nevada Mountains

Raymundo Gleyzer's documentary on o community of Pottery Makers in the west of Cordoba province in Argentina who create pieces to sell to the tourists.

It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction.

Short poetic documentary about the southern sea in the Netherlands.

The Mantis Parable is the charming tale of a humble caterpillar trapped in a bug collector's jar and in need of a helping hand.

An off-screen narrator remembers a time he was five years old, walking to school in a heavy rain, wearing a yellow slicker and cap. He relates to us that a boy he'd never seen before ran up to him and said that it was raining worms. Our lad of five is on the cusp between believing anything he hears and entering the age of reason. He asks for proof. He holds out his hand.

In a 13-minute navigation, Nestler takes us downstream the Rhine River. The opportunity of cheap water transport kept prices of raw material down and made the Rhine one of the most important arteries of industrial transport in the world.

On May 30, 1889 the South Fork Dam, which maintained a pleasure lake for wealthy Pittsburgh industrialists and their families, failed due to very heavy rains and poor maintenance by the dam's owners. The burst dam sent a wall of water and debris, 40 feet high and half a mile wide, 14 miles downstream to the bustling industrial city of Johnstown, Pennsylvania. More than 2000 people lost their lives in the disaster. This documentary tells the story, and tells us that the disaster was easily avoidable.

Six men. The forest. The menace is there somewhere. Armed, ready, looking for action, they wander, day and night, striving for a confrontation.

The first part (winter) of a seasonal study of the Hudson river in New York.

American Colour was funded by the Images Festival and the Deluxe Cinematic Vision Award. "Joshua Bonnetta’s American Colour (note the bi-national spelling), was shot on old rolls of 16mm Kodachrome during a pilgrimage from the stock’s birthplace in upstate New York to Kansas, where its final rolls were processed earlier this year. Like a postscript to Dean’s Kodak, American Colour explores Kodachrome’s historic use and singular hues, doing so with digital means in the wake of its obsolescence.