Take It Like a Man, Ma'am! (1975)

Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) this trite drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go. Several of the performances -- especially Fritz Helmuth as the love-starved, aptly named Bent -- manage to reach a little beyond the stereotypes, but Bodil Kjær, of all people, delivers a simply dreadful (and one-note) parody of a once-glamorous movie star.

After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.

Mafiaen, det er osse mig er en dansk komediefilm fra 1974 og en fortsættelse af Mig og Mafiaen. Filmen har manuskript af Lise Nørgaard og er instrueret af Henning Ørnbak.

Ole Ernst stars as an energetic conman lured into trying to set a factory on fire to catch in on the insurance. The plan backfires and both the factory owner, his wife and the conman hunted by the police must flee to Sweden.

A woman, Ilse Brehmer, finds the body of a dead man, a journalist. He has been murdered, and later when the body turns up in the harbor, the woman denies everything, even though witnesses has seen her nearby the crime scene. She simply can’t remember anything, but the detective on the case, Mørck, knows how to smell a lie and soon start to unravel this bloody mess.

Alice does not live at home but with friends in an abandoned factory. She sells drugs to enable them to fulfill their dream of a tavern. When the police are after her, she seeks Hour switch. Here she meets Berit and helps Berit mother south on vacation. But simultaneously pursues Alice of a drug kingpin but cheating him.

It has hardly been seen before that a 83-year-old actor has starred in a Danish film, but it is the case here, where Kai Holm says goodbye to a long life in film and theater service. He plays an old peasant who on his deathbed is waiting for his son (Jon Bang Carlsen). In a few days he relives the village life, he comes from, and which was marked by a hard and authoritarian upbringing. He is at his father's deathbed despair because it is still impossible to make contact, and in a crisis situation, he recognizes his father's brutality in itself. The film draws a bitter picture of human relationships where dreams while they die, degenerates into power relations.

A group of children fleeing from a cruel stone age society with violence, exploitation and sexual abuse.

The late 1930s. A young enemployed, unskilled worker walks through the streets of Copenhagen, sustaining himself partly on the dole and free soup-kitchen meals and partly on day-dreams. He spends time at a cemetry studying headstone inscriptions. Mild-mannered and of poetic bent, he understands little of an intellectual friend's advice and shies away from the love of a woman who shares her bed with him.

A group of summer camp kids, left to their own devices when their teachers stage a strike, go on a rampage of stealing and looting. A stolen boat brings them to an uninhabited island. When their boat drifts away, the marooned kids must fend for themselves.

Denmark is in deep crisis: the country is hit by general strike, during the holding of a NATO summit in Copenhagen. Meanwhile, a minister is kidnapped by extremists, and state power cracks down against politically-active leftists.

A psychological drama. The action takes place within a few hours in a woman's life. She is burdened by the decision whether she should leave husband and child in favor of an American she has fallen in love with.

A man decides to perpetrate a series of killings and publicise them as political acts in an attempt to protest against nuclear armaments.

TV reporter Mille wants to be liberated from matrimonial restraints and have more than one man in her life. She spends time with her friends, bisexual intellectual Suzanne and prostitute Lise. They mostly talk about men and women's lib.