Mala Mala (2014)

Roman Baskin's debut as a film director is an allegorical story of a man (Sulev Luik) who happens to step out of a train in a small town named Vernanda. He buys some bread only to discover that it has got a bomb inside and "souvenirs" of this kind are the town's trademark. While the man wants desperately to get rid of the bomb the townsfolk is not amused by such rude behaviour.

There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.

This special focuses on a group of men who have fallen in love with their life-size dolls, called "Real Dolls." For these men, their $10,000 lifelike, built-to-order creations have replaced human women. For some people, finding a partner in life can be difficult. For these men, it's almost impossible. Some years ago, a small factory in California began making an alternative partner. Each one is tailored made to suit every taste. There are now 3000 real dolls across the world providing some of those with love and companionship that real women cannot.

A novelist's life ricochets from 1920s Paris to '50s New York and '80s London. Along the way he meets Ernest Hemingway, Ian Fleming and the Duke and Duchess of Windsor - the exiled British king and his mistress Wallis Simpson.

A study of a relationship that starts quickly, burns bright, and then gets rocky, not from any one thing, but from an accumulation of civilization and its discontents. Stuart is glib and generous, Nicole is shy and forthright. Is love enough to see them through?

Lonely secret service officer Gustav meets a mysterious gypsy woman. It soon comes clear that it is a trap set by the Russian intelligence. Gustav is ordered to continue the relationship to get a better understanding of the enemy's plans. Unfortunately, Gustav finds himself struggling with the task, as he is falling in love with the enemy. Is there a way out of this situation?

The frustrated loves of Jean Cocteau and Raymond Radiguet at the beginning of the 1920s. The death of Radiguet that sank Cocteau into opium. A story under the influence of drugs. A narrative in the spirit of Cocteau. And all this in a musical.

Interviewing scholars, industry insiders and consumers, this probing documentary delves into the effects of pornography on one's sexual identity and relationships, as well as its influence on business and American popular culture overall.

Oscar nominated documentary short from 1992

Jean Kilbourne's pioneering work helped develop and popularize the study of gender representation in advertising. Her award-winning Killing us Softly films have influenced millions of college and high school students across two generations and on an international scale. In this important new film, Kilbourne reviews if and how the image of women in advertising has changed over the last 20 years. With wit and warmth, Kilbourne uses over 160 ads and TV commercials to critique advertising's image of women. By fostering creative and productive dialogue, she invites viewers to look at familiar images in a new way, that moves and empowers them to take action.

Brendan is an earnest, introverted schoolteacher who, aside from his participation in the local choir, has only one passion in his life -- the movies. That is until he meets Trudy, a woman who is gregarious and adventurous beyond his imagination. His entire persona changes as he becomes enveloped in her carefree and sometimes dangerous world.

An old man lives alone in a shabby cabin in a remote mountainous area of Mexico. His house is set to be demolished in order to facilitate the redevelopment of the area. He doesn't know how to protect his house. Time goes by and one day a young man shows up on his doorstep. Looking exhausted, he starts his new routine here, cooking and doing laundry just like the old man.

Based on the true story of drugs, satanism, and murder in the upper class town of Northport, Long Island in 1984.

Sparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry riddled with discrimination and misogyny. Every year, the gaming community grows increasingly diverse. This has led to a clash of values and women are receiving the brunt of the consequences every day, with acts of harassment ranging from name calling to death threats. Through interviews with video game creators, journalists, and academics, GTFO paints a complex picture of the video game industry, while revealing the systemic and human motivations behind acts of harassment. GTFO begins the conversation that will shape the future of the video game world.

The young country of Estonia is dancing to the jazzy tune of the 1920's when on December 1, 1924, the capital Tallinn is overrun by members of the Comintern in an attempt to stage a Communist coup. The film follows the fates of a young soldier called Tanel and his wife, a telephone operator named Anna, amidst the ensuing chaos which determines whether the country remains independent or becomes a minor province in the Communist Empire.

A German actor lands in Montevideo. Rude and speaking very little Spanish, he gets himself in trouble: only a few hours after his arrival, he gets lost and runs into a group of young men who try to rob him.

When three university friends turn up unexpectedly, twenty-something lawyer Lorna Johnston is led into a dangerous world.

Autumn 1944, Estonia. Tens of thousands of people leave their homeland in fear of approaching frontline. Some seashore villages remain completely empty. A young woman with huge grey eyes gets off the boat. Eetla leaves the last boat, thus giving up her last chance to escape. Defying the cold wind and rain of September, she returns to the lighthouse which is unexpected to her father Gottfrid, the lighthouse keeper, and herself. Eetla's return becomes her self-encounter and self-recognition.

Documentary on the concept of white privilege and how it effects white people and other cultures.

Journalist Zenia Arden has disappeared. When her finger turns up on the shores of Lake Ontario next to her blood-soaked car, the police believe they've uncovered a homicide.