Pas à deux (1988)

An old man who took in and nursed a wounded crane is visited by a young, beautifully dressed woman.

The 400 million people of China are heirs to a great civilization, as their pagodas and stone lions can attest. But they are under attack from the Japanese. Civilian refugees walk, stumble, crawl to escape the destruction of their cities... While in the China of tradition, water buffalo still work the paddies and camels cross the desert, modern China is now a republic founded by Dr. Sun Yat-sen, with modern schools, heavy industry, large engineering projects... The government of Chiang Kai-shek resists the Japanese invasion from the coast. Madame Chiang receives a cheque from the U.S.A. for war relief. War production continues in distant villages safe from the grasp of the Japanese. With modern weapons the Chinese are pursuing their struggle behind enemy lines. And still their opponent persists in his reprisal bombings of civilian targets. "Will these people win?"

A group of friends playing tennis.

A man puts all the things from his apartment into one enormous closet and starts living there.

A man living a dream experience linked to memories of his childhood.

A little girl wanders all alone in the morning, through a bustling city, looking for the white bells she noticed in the window of a florist's shop. This film heralded the birth of a new film language in Latvian cinema. It received awards at the San Francisco and Oberhausen festivals. and was included on the list of the “world’s 100 best short films” by the film critics at the 1995 Clermont-Ferrand film festival.. All three of the film’s authors together with their peers became the creators of the legendary Riga School of Poetic Documentary.

In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.

Two weeks after the bombing of Hiroshima and Nagasaki, in August 1945, Indonesian Independence leaders proclaimed “Indonesia Merdeka!” ‘Freedom for Indonesia’ and an end to Dutch colonial rule over the Netherlands East Indies. Internationally renowned Dutch filmmaker Joris Ivens, in Australia as Film Commissioner for the Netherlands East Indies government in exile, resigned his position in protest against Dutch policy, which sought to re-impose its colonial rule. In collaboration with Indonesian activists, Chinese, Indian and Australian trade unionists, and local artists and filmmakers, Ivens made Indonesia Calling, a film documenting the crucial role of Australian trade union support in the establishment of the new Republic of Indonesia. Ivens’ film was an activist documentary; it actively contributed to the events it depicted. All those who worked on it became ‘adversely known’ to the security services.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

An experimental film from Arthur Lipsett, Free Fall is an assortment of film trimmings assembled to make a wry comment on humankind in today’s world. It evokes a surrealist dream of our fall from grace into banality. (NFB.ca)

The lives and interactions of four neighbours in an apartment building are seen simultaneously in four different rooms. Flatlife is an animated film created by Jonas Geirnaert in 2004 was chosen for the competition of short films at Cannes in 2004.

Several shots of the carnival in Nice, floats and parade costumes, passing along the crowded streets.

This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a big city, presented during a day's work. This film starts and ends with the rotating image of the sculpture of Rodin the Thinker; this famous sculpture has long since become the symbol of the unchanging expression of human thought.

A day in the life of Ako, a 16 year old Japanese girl, and her friends and co-workers. An alarm clock wakes her in a dorm; she gets ready for work and travels to a large bakery. We see her with friends, chatting and laughing, as well as working. They go out, seven of them jammed in an old Pontiac: bowling, then to an amusement park, then driving around. Car trouble may put her at risk. Is she going to be okay?

Arthur Melbourne Cooper's animation showing a boy's dream of his toys coming to life uses a live action framing device for the dream sequence which uses stop motion techniques to animate a child's toys.

A surrealistic fantasy based on the 15th century woodcuts of the dance of the dead. A film experiment that deals with the photoreality and the surrealism of life. A collage-animation that cuts up photos and newsreel film and reassembles them, producing an image that is a mixture of unexplainable fact (Why is Harpo Marx playing a harp in the middle of a battlefield?) with inexplicable act (Why is there a battlefield?). It is a black comedy, a fantasy that mocks death ... a parabolic parable.

The painter António Cruz wanders around the city of Porto painting what he sees: old and modern buildings, people arriving and leaving work in the factories, children playing. The impressionist realism of Cruz’s drawings dissolves into Oliveira’s vision of Porto, which at the same time portrays the painter and his work.

Short film by Zbigniew Rybczyński.

A beautiful but ailing girl is married to a harsh man who doesn't care for her. Only after she dies does he realize that he actually loves her.