Anyone Can Kill Me (1957)
Genre : Crime, Drama
Runtime : 1H 42M
Director : Henri Decoin
Writer : Henri Decoin, André Versini
Synopsis
The holdup of the bank is a success. All happened according to plan. Now, Cyril Gad and his four accomplices must secure an alibi. What better place than a prison cell? As a result the five gangsters have themselves arrested on minor charges and start waiting until they are released. Unfortunately three of them die mysteriously, another one is openly murdered. The only man still alive, Tony, is scared. Easy to understand why...
After Dick Harper loses his job at Globodyne in an Enron-esque collapse, he and his wife, Jane, turn to crime in order to handle the massive debt they now face. Two intelligent people, Dick and Jane actually get pretty good at robbing people and even enjoy it -- but they have second thoughts when they're reminded that crime can hurt innocent people. When the couple hears that Globodyne boss Jack McCallister actually swindled the company, they plot revenge.
Outlaw Jesse James is rumored to be the 'fastest gun in the West'. An eager recruit into James' notorious gang, Robert Ford eventually grows jealous of the famed outlaw and, when Robert and his brother sense an opportunity to kill James, their murderous action elevates their target to near mythical status.
Doug MacRay is a longtime thief, who, smarter than the rest of his crew, is looking for his chance to exit the game. When a bank job leads to the group kidnapping an attractive branch manager, he takes on the role of monitoring her – but their burgeoning relationship threatens to unveil the identities of Doug and his crew to the FBI Agent who is on their case.
The two brothers Trinity and Bambino are exchanged by two federal agents and take advantage of the situation to steal a huge booty hidden in a monastery by a gang of outlaws.
When two brothers organize the robbery of their parents' jewelry store, the job goes horribly wrong, triggering a series of events that send them and their family hurtling towards a shattering climax.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Young businessman, Thomas Crown is bored and decides to plan a robbery and assigns a professional agent with the right information to the job. However, Crown is soon betrayed yet cannot blow his cover because he’s in love.
While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.
A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.
Set during the Rodney King riots, a robbery homicide investigation triggers a series of events that will cause a corrupt LAPD officer to question his tactics.
When an experienced thief accidentally makes off with a Van Gogh, his partner is kidnapped by gangsters in pursuit of the painting, forcing the criminal to hatch a rescue plan.
A former policeman turns full-time robber and goes on a downward spiral of crime in 1970s Rome.
An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.
Amiable con man Jack Cooper is on a westbound stagecoach, headed for the next batch of suckers who will mistake him for an easy mark. Fiery Sarah O'Rourke rides the same coach, handcuffed to lawman Bill Speakes and headed for the hangman. In a few hours, all should reach their destinations. But the trail they travel takes an unexpected turn: Cooper and O'Rourke are soon off the stage and running for their lives. The law ends and the chase begins in a very alive tale of wanted-dead-or-alive fugitives (Linda Fiorentino and Craig Sheffer) pursued by a marshal (Sam Elliott) who's a law unto himself.
Sophie Jacobs is going through the most difficult time of her life. Now, she just has to find out if it's real.
Patricia Medina plays the title character in The Buckskin Lady. Medina is cast as female gambler Angela Medley, who is forced by circumstances to align herself with outlaw Slinger. But Angela has never gotten over her love for honest frontier doctor Bruce Merritt, and at the first opportunity she redeems herself by catching a bullet intended for the doc. Henry Hull delivers the film's most memorable performance as Angela's drunken wretch of a father. Per the title, Buckskin Lady affords the viewer ample opportunity to see Patricia Medina in form-fitting western garb.
Charley Gray is about to be released from the state penitentiary after serving a long term for the robbery of a government gold shipment. The gold was never recovered, so the Texas Ranger chief has Ranger Panhandle Perkins planted in the prison as Charley's cell-mate in the hopes Charley will tell him where the loot is buried. Charley has a map of the location but is afraid it may be discovered so, while Panhandle is asleep, he draws a copy of it on the sole of Panhandle's foot. Charley then destroys the map but intends to keep "Panhandle" close to him upon their release from prison. Charley makes Panhandle accompany him back to the town where the rest of the hold-up gang is holed up. They go to the saloon owned by Steve Martin, also a member of the hold-up gang, but Charley was the one who buried the loot before he was captured and Charley has no intentions of divulging the location of the gold. Written by Les Adams
Two brothers turn against each other when confronted with the possibility of getting millions of dollars found in a stolen armored car.
The holdup of the bank is a success. All happened according to plan. Now, Cyril Gad and his four accomplices must secure an alibi. What better place than a prison cell? As a result the five gangsters have themselves arrested on minor charges and start waiting until they are released. Unfortunately three of them die mysteriously, another one is openly murdered. The only man still alive, Tony, is scared. Easy to understand why...
In the opening moments of Kill, Panther, Kill! we see the daring escape, during a prison transfer, of master criminal Arthur Tracy. Tracy has been in stir for four years after thieving a fortune in jewels worth three million dollars. Now his loyal henchmen, Anthony and Smokey, lie in wait beside a desolate hillside road that’s apparently intended to be overlooking Malibu — but is actually some anonymous European location — as the LAPD van baring Arthur approaches. After dispensing with Arthur’s guards in a hail of machinegun fire, the three pile into a getaway car, at which point Anthony says he knows of an ideal place for them to hold up. “They’re holding a rodeo this week in Calgary”, he says. “Nobody will look for us there.” And truer words were never spoken. The only thing that I’d be looking for at a rodeo in Calgary would be a thorough ass-kicking.