The Monster (1925)
Genre : Comedy, Horror, Science Fiction
Runtime : 1H 26M
Director : Roland West
Synopsis
A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.
The crew of a horror web series travels to an abandoned asylum for a live broadcast, but they encounter much more than expected as they move deeper inside the nightmarish old building.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
Tortured by the ghosts of the demonized insane asylum that killed the crew of GRAVE ENCOUNTERS, film students fight to escape death as their own paranormal investigation goes terribly wrong in this horrifying sequel.
In this sound-era silent film, a tramp falls in love with a beautiful blind flower seller.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
Sallie Gardner at a Gallop was one of the earliest silent films — a production experiment by the photographer Eadward Muybridge on June 15, 1878 that led to the development of motion pictures. The motion picture consists of 24 photographs in a fast-motion series that were shown on a zoopraxiscope.
The Tramp struggles to live in modern industrial society with the help of a young homeless woman.
A crew from a paranormal reality television show lock themselves in a haunted psychiatric hospital. They search for evidence of paranormal activity as they shoot what ends up becoming their final episode.
During America’s Civil War, Union spies steal engineer Johnnie Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
Rachel Singer is a former Mossad agent who tried to capture a notorious Nazi war criminal – the Surgeon of Birkenau – in a secret Israeli mission that ended with his death on the streets of East Berlin. Now, 30 years later, a man claiming to be the doctor has surfaced, and Rachel must return to Eastern Europe to uncover the truth. Overwhelmed by haunting memories of her younger self and her two fellow agents, the still-celebrated heroine must relive the trauma of those events and confront the debt she has incurred.
A cameraman wanders around Moscow, Kharkiv, Kyiv and Odesa with a camera slung over his shoulder, documenting urban life with dazzling invention.
Man with a Movie Camera is one of the major manifestos of the world cinema avant-garde. According to the aesthetic principles of Vertov, the film was not based on a script. In Man with a Movie Camera, Vertov implemented experiments that he carried out for many years and theoretical developments in cinematography and editing, turning the film into a film-making methodological guide for subsequent generations of directors. The camera of a talented cinematographer Mikhail Kaufman captures the motley life of Ukrainian megalopolises – Odesa, Kharkiv, and Kyiv – under New Economic Policy.
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom Chariot, that picks up the souls of the dead.