The Feral Man (2002)

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

When a massive, gilled monster emerges from the deep and tears through the city, the government scrambles to save its citizens. A rag-tag team of volunteers cuts through a web of red tape to uncover the monster's weakness and its mysterious ties to a foreign superpower. But time is not on their side - the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.

Mining engineer Shigeru investigates the disappearance and death of his fellow coworkers when prehistoric nymphs are discovered emerging from the mines. After an attack on the local village, Shigeru heads deeper into the mines only to make a more horrifying discovery in the form a prehistoric flying creature. Soon a second monster appears as the two converge in Fukuoka.

A strange animal attack turns a botanist into a bloodthirsty monster.

Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

Grave robbers open the grave of the wolf man and awaken him. He doesn't like the idea of being immortal and killing people when the moon is full so tries to find Dr. Frankenstein, in the hopes that the doctor can cure him. Dr. Frankenstein has died; however, his monster is found.

Gamera escapes from his rocket enclosure and makes his way back to Earth as a giant opal from New Guinea is brought back to Japan. The opal is discovered to have been an egg that births a new monster called Barugon. The creature attacks the city of Osaka by emitting a destructive rainbow ray from his back, along with a freezing spray capable of incapacitating Gamera.

An American scientist up to no good (as usual) by creating the half-pterodactyl, half-barracuda: Pteracuda. When the creature inevitably escapes, it's up to Sharktopus to stop him.

Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.

A woman discovers that severe catastrophic events are somehow connected to the mental breakdown from which she's suffering.

A re-edited Italian-language dubbed version of Godzilla, using as a basis the U.S. version Godzilla, King of the Monsters! (1956), plus WWII newsreel footage and clips from other monster 1950's movies. The re-edited film was then colorized via a process called Spectrorama 70 consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musician Vince Tempera (under the pseudonym Magnetic System).

A meteor lands in Kurobe Valley as detective Shindo is assigned to protect Princess Salno from assassination. She emerges under the guise of a Venusian prophetess and catches the attention of journalist Naoko and Mothra's fairies by predicting a powerful space monster's arrival. The infant Mothra must convince Godzilla and Rodan to set aside their hatred of humanity or face the monster alone.

Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.

As war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world.

Ford Brody, a Navy bomb expert, has just reunited with his family in San Francisco when he is forced to go to Japan to help his estranged father, Joe. Soon, both men are swept up in an escalating crisis when an ancient alpha predator arises from the sea to combat malevolent adversaries that threaten the survival of humanity. The creatures leave colossal destruction in their wake, as they make their way toward their final battleground: San Francisco.

An Okinawan prophecy that foretells the destruction of the Earth is seeming fulfilled when Godzilla emerges to return to his destructive roots. But not all is what it seems after Godzilla breaks his ally Anguirus's jaw. Matters are further complicated when a second Godzilla emerges, revealing the doppelgänger as a mechanical weapon.

A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.

A young girl sent to live with her father and his new girlfriend discovers creatures in her new home who want to claim her as one of their own.

Four interwoven stories that occur on Halloween: an everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank, and a bitter old recluse receives an uninvited guest.