A Venue For The End Of The World (2014)

Also known as THE LONELY DESTINY OF JOHN TRAVOLTO, it's the first and only Travoltasploitation movie. It's about a hotel cook named Gianni who can't dance but is frustratingly in love with the sexy blonde DJ (Cicciolina) at the nightclub "John's Fever". When one of the cook's coworkers draws a mustache and beard on a poster of John Travolta everyone somehow finally notices that Gianni looks exactly like Travolta and the game is on.

01. Intro 02. My Generation 03. Livin' It Up 04. Bring It Back 05. My Way 06. Break Stuff 07. Take A Look Around 08. Behind Blue Eyes (The Who cover) 09. Nookie 10. Rollin' (Air Raid Vehicle)

Christopher Guest, Michael McKean and Harry Shearer perform songs from their films and other projects before a live audience in a concert that took place at the Riverside Theater in Milwaukee, Wisconsin on May 31, 2009.

Concert with Aqua recorded in Tivoli, Copenhagen, Denmark

Join the Spice Girls live in Istanbul for their first ever concert! Plus: GIRLS TALK! An exclusive interview with the Girls! Find out what it's really, really like to be a Spice Girl!

Recorded at London's Kilburn State Theater, Rod Stewart takes the stage along with guitarist Ron Wood, drummer Kenney Jones and the rest of the Faces for this electric farewell concert. In this classic live performance, the Faces are joined by the Rolling Stones' Keith Richards -- and their unique pub sound is complimented with a full-string orchestra. A set list of memorable hits includes "You Can Make Me Dance, Sing or Anything" and "Sweet Little Rock and Roller."

Filmed in the late summer of 1999, Cheap Trick: Silver is a 25th anniversary celebration of the Rockford, Illinois, band famous for marrying British Invasion-era pop hooks with the guitar crunch of the Who's Quadrophenia period. Shot on a sealed-off, Rockford street, the concert is an electrifying overview of high points from the group's discography. The songs plucked from each of their albums reveal a remarkable power-pop consistency over the long haul, despite the band's lengthy periods of commercial rejection and bare survival. Visibly thrilled, Cheap Trick soar here through monster hits ("I Want You to Want Me," "Dream Police") and milk every drop of emotion from masterful ballads ("I Can't Take It"). While stellar guests include Slash and Billy Corgan, it's the appearances by less famous folk (the Rockford Symphony Orchestra, a few offspring of guitarist Rick Nielsen and singer Robin Zander) that movingly underscore the populist glories of this American band.

On 19 March, 2009 Eric Clapton joined the Allman Brothers Band on stage at The Beacon Theatre in New York City for the first of two historic guest appearances. Other guests that evening were Susan Tedeschi and Danny Louis of Gov't Mule. This year marks the 20th Anniversary of Allman Brothers Band performances at the Beacon and the 40th Anniversary of their founding.

Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.A short doc by Maurice Pialat.

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.

Short doc by Maurice Pialat. The first film in the series set at Turkey, Bosphore, is also the only one that was shot in color.

50 Cent 50 Cent Live Concert review This rare exclusive live footage from 50 Cent’s extremely successful European tour captures the superstar rapper performing some of his biggest hits, including “Wanksta” and “In da Club”. 50 Cent 50 Cent Live Concert DVD Also includes stills, alternate takes on several songs and bonus videos. 50 Cent 50 Cent Live Concert movie This rare, exclusive live footage from 50 Cent's extremely successful European tour captures the superstar rapper performing some of his biggest hits, including "Wanksta" and "In da Club." Also included here are stills, alternate takes on several songs, and bonus videos.

The Sex Pistols captured live onstage at the very end of their fame (they split days after this show). Sid Vicious had by now replaced bassist Glenn Matlock, but internal divisions in the band would come to a head during this winter tour of the US. Numbers performed include 'Pretty Vacant', 'Anarchy in the UK' and 'No Fun'. Live at the Longhorn Ballroom, Dallas, January 10, 1978.

A Sunday Afternoon on the Island of La Grand Jatte by Georges Seurat is one of the great paintings of the world, and in "Sunday in the Park with George," book writer James Lapine and composer/lyricist Stephen Sondheim bring a story based on the work brilliantly to life. While the painting depicts people gathered on an island in the Seine, the musical goes beyond simply describing their lives. It is an exploration of art, of love, of commitment. Seurat connected dots to create images; Lapine and Sondheim use connection as the heart of all our relationships. Winner of the 1985 Pulitzer Prize for Drama. Originally broadcast as part of "American Playhouse" on PBS (season five, episode nineteen).

Globe-trotting Slovakian filmmaker Pavol Barabas explores Earth's biggest tropical island, New Guinea, in this breathtaking tour of a culture wholly unfamiliar with modern civilization and with no previous contact with white people. Along the way, Barabas finds people living high in trees under conditions roughly similar to those of the Stone Age. The film won the Culture Prize at the Kendal Mountain Film Festival.