Rotting Christ: Non Serviam - A 20 Year Apocryphal Story (2009)
Genre : Music
Runtime : 2H 0M
Synopsis
“I will not serve!” (Non Serviam), were the alleged words of Lucifer, when he descended from heaven to be his own master. In the 20 years of their impressive career ROTTING CHRIST have boldly followed this example and always set their own course. Carving their very own path through Black, Gothic and Death Metal the Athenians quickly rose to become the premier Metal band of their native Greece and nearly as fast to international acclaim. On “Non Serviam – A 20 Year Apocryphal Story” ROTTING CHRIST have gathered their most popular and classic songs including some rare treats to celebrate their special anniversary show at home in Athens in front of a fanatic audience in December 2007. Completing the package is a bonus DVD filled with extra footage from the “Sanctus Diavolos” and “Theogonia” tours, an interview with frontman Sakis telling the story of the band, bootlegs live videos, promotional clips and much more.
Bill and Ted are high school buddies starting a band. They are also about to fail their history class—which means Ted would be sent to military school—but receive help from Rufus, a traveller from a future where their band is the foundation for a perfect society. With the use of Rufus' time machine, Bill and Ted travel to various points in history, returning with important figures to help them complete their final history presentation.
In Venice Beach, naive Midwesterner JB bonds with local slacker KG and they form the rock band Tenacious D. Setting out to become the world's greatest band is no easy feat, so they set out to steal what could be the answer to their prayers... a magical guitar pick housed in a rock-and-roll museum some 300 miles away.
Amiable slackers Bill and Ted are once again roped into a fantastical adventure when De Nomolos, a villain from the future, sends evil robot duplicates of the two lads to terminate and replace them. The robot doubles actually succeed in killing Bill and Ted, but the two are determined to escape the afterlife, challenging the Grim Reaper to a series of games in order to return to the land of the living.
A teenager's quest to launch Norwegian Black Metal in Oslo in the 1990s results in a very violent outcome.
A young girl in 1990s Iceland is caught between the life that took her brother and her own inability to strike out on her own. In her grief, she finds solace in metal and dreams of making her own music.
Turo is stuck in a small village and the best thing in his life is being the lead vocalist for the amateur metal band Impaled Rektum. He and his bandmates have practiced for 12 years without playing a single gig. The guys get a surprise visitor from Norway -- the promoter for a huge heavy metal music festival -- and decide it's now or never. They steal a van, a corpse, and even a new drummer to make their dreams a reality.
A "metal fetishist", driven mad by the maggots wriggling in the wound he's made to embed metal into his flesh, runs out into the night and is accidentally run down by a Japanese businessman and his girlfriend. The pair dispose of the corpse in hopes of quietly moving on with their lives. However, the businessman soon finds that he is now plagued by a vicious curse that transforms his flesh into iron.
Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.
The film follows a petty rock band called the Winners, consisting of vocalist Joey Winner, bassist Jennifer, guitarist Tyler, drummer Sam, and French-Canadian roadie Hugo, along with their sleazy manager Jeff, as they tour across Canada and the USA after Jennifer is turned into a vampire by Queeny. Meanwhile, a vampire hunter who is afraid of the dark named Eddie Van Helsing quickly chases them down.
When the son of an American man and a Japanese women is killed, the man transforms into Tetsuo.
From massive waves to melting ice, filmmaker Victor Kossakovsky travels around the world to capture stunning images of the beauty and raw power of water.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
Filmed at the Warfield Theatre in San Francisco, California on December 7, 2001, War at the Warfield would become Slayer's first music DVD. Originally set for release on February 13, 2003, it was delayed several times, due to unspecified "production issues". War at the Warfield peaked at number 3 on the Billboard DVD chart with sales of 7,000.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
Murder In The Front Row: The San Francisco Bay Area Thrash Metal Story. In the early 1980’s, a small group of dedicated Bay Area headbangers shunned the hard rock of MTV and Hollywood hairspray bands in favor of a more dangerous brand of metal that became known as thrash! From the tape trading network to the clubs to the record stores and fanzines, director Adam Dubin reveals how the scene nurtured the music and the music spawned a movement. Murder In The Front Row is told through powerful first person testimony and stunning animation and photography. The film is a social study of a group of young people defying the odds and building something essential for themselves. Featuring interviews with Metallica, Megadeth, Slayer, Anthrax, Exodus, Testament, Death Angel, Possessed and many more! Narrated by Brian Posehn.
A documentary detailing the making of the American thrash metal band Exodus' tenth studio album, Blood In, Blood Out. Released as part of the deluxe compact disc format of the album.
Filmed at Etihad Stadium in Manchester, England on June 18, 2019. This concert is part of the WorldWired Tour by American heavy metal band Metallica in support of their tenth studio album Hardwired... to Self-Destruct, which was released on November 18, 2016. It is also their first worldwide tour after the World Magnetic Tour six years earlier. Set-List: 1. Hardwired / 2. The Memory Remains (with extended outro) / 3. Disposable Heroes / 4. The God That Failed / 5. The Unforgiven / 6. Here Comes Revenge / 7. Moth Into Flame / 8. Sad but True / 9. Welcome Home (Sanitarium) (followed by Kirk & Rob's solos incl. 'I Wanna Be Adored', 'ManUNkind' & 'Orion') / 10. St. Anger / 11. One / 12. Master of Puppets / 13. For Whom the Bell Tolls / 14. Creeping Death / 15. Seek & Destroy / 16. Lords of Summer / 17. Nothing Else Matters / 18. Enter Sandman (with 'The Frayed Ends of Sanity' outro).
Get Thrashed traces the rise, fall and impact of thrash metal; from its early years, through its influence on grunge, nu metal and today's heavy metal scene. It is the story of the heaviest, hardest music of the 80s and early 90s as told by the bands who lived it, the fans and bands that grew up on it and by the artists that carry the "thrash metal" flag today.
A live document of his winter 2019 European tour that saw him taking on possibly his most ambitious live show to date.
Guns, God and Government is a concert film chronicling the band Marilyn Manson during their Guns, God and Government tour. It was released on October 29, 2002 on the formats VHS, DVD and UMD. The DVD contains live tracks and performances that switch between visuals of various shows from United States, Japan, Russia, and Europe while maintaining a single consistent music track.
