Thank You Jesus for the Eternal Present (1973)
Genre :
Runtime : 6M
Director : Owen Land
Synopsis
A rapturous audio-visual mix that “deliberately seeks a hidden order in randomness.” The film combines the face of a woman in ecstatic, contemplative prayer with shots of an animal rights activist, and a scantily clad model advertising Russian cars at the International Auto Show, New York. - Harvard Film Archive
Early Balkan footage.
In honor of the cat, so named, and the goddess of all cats which she was named after. - CAT Film Festival
Early Balkan footage.
Story about a man whose environment doesn't let him live his simple life.
Balkan actuality.
Dr. Benchley is addressing the Ladies Club on the subject of the reproductive habits of the polyp, a small aquatic organism. Although he is not able to display his live specimens, he has prepared a series of pictures of his subjects. He explains that the subject is made more complicated by the fact that polyps are able to change their sex from time to time. Then he presents some of the pictures of his specimens and the experiments that he has done with them. (IMDb)
Filmed in Buchenwald, Dachau and Ohrdruf by "Allied Cameramen" there is no information about the director of the film.
Fascinating -- and unintentionally funny -- experiments at Austria's famed Institute for Experimental Psychology involve a subject who for several weeks wears special glasses that reverse right and left and up and down. Unexpectedly, these macabre and somehow surrealist experiments reveal that our perception of these aspects of vision is not of an optical nature and cannot be relied on, while the unfortunate, Kafkaesque subject stubbornly struggles through a morass of continuous failures.
A bold and unsettling short film that combines mysteriously striking images, on-screen captions, and computer-generated speech narration.
The photographs of a member of the Gestapo, with narration from the captions he left in his album. Film released in 1964.
In this film, Paul Tomkowicz, Polish-born Canadian, talks about his job and his life in Canada. He compares his new life in the city of Winnipeg to the life he knew in Poland, marvelling at the freedom Canadians enjoy. In winter the rail-switches on streetcar tracks in Winnipeg froze and jammed with freezing mud and snow. Keeping them clean, whatever the weather, was the job of the switchman.
Soviet animation movie based on a Kazakh tale: a little bird fights against a three-headed dragon.
Reel #5 of (...) is composed of scratch-imagery edited to music by James Tenney. The music starts accompanied only by black leader: then there is a sudden flare of pure white which begins to flicker with negative-colored ephemeral shapes, until finally the music and a fulsome mass of scratched images are accompanying each other. At times a distinctly different quality of colored image appears and continues for awhile (non-orange negative photography of painted film as well as picture images).
The film speaks of student demonstrations in Belgrade, 1969 and of the critical quality, enthusiasm and discipline of this form of protest. It was the most powerful public criticism of "red bourgeoisie" - members of communist apparatus, who suppressed creativity and affirmation of new generations throughout Eastern block.
A six minute film of the funeral of the murdered Metropolitan Emilianos of Grevena, of which all has been lost, save for 17 seconds. Emilianos was murdered on October 1st, 1911.
Controversial short by Hellmuth Costard.
An elliptical, pictographic animated film that uses flat, painted figures and collage elements in both two and three dimensional settings to explore the realms of memory, language and identity from the point of view of a woman amnesiac.
Early Balkan footage.
Totems of destruction and desire. An operation on the combustible urges in a junk black mass. A swiftly-sliced nightmare of history and erotic autobiography.
Jordan’s imagery is exquisite and eloquent, concentrating on simple, repeated use of particularly poetic symbols and figures, a conglomerative effect of old Gustave Dore drawings, 19th century whatnot memorabilia, all fused to a totally aware perception. —Lita Eliseu, East Village Other