War (2015)
Genre : Drama
Runtime : 1H 46M
Director : Simon Jaquemet
Writer : Simon Jaquemet
Synopsis
Fifteen-year-old Matteo is attractive, albeit somewhat effeminate. The whole world is against him. He has no friends and his parents seem to live in a different universe. The pressure increases as his awkward attempts to win his father’s respect fail. One night two men carry him off: his parents send him to a remote alp, where he is forced to spend the summer working hard on a family farm. When Matteo arrives on the alp, a surprise awaits him.
Three years after a tragic accident leaves a student dead at the annual Homecoming dance, a group of senior friends anxious about the return of Homecoming Night to their sleepy Southern town find themselves visited by a deadly presence from their past in the dark and desolate halls of their very own high school.
Mateo is a lighthouse caretaker dating a teacher Suzette. The small town they are in is trying to increase tourism. Jerome stumbles across Mateo and Suzette having sex, whilst he is on holiday from Manila. A local a gay man, who pays local teenage boys for sex, talks to Mateo about the negative aspects of being gay in the Philippines. According to local legend, a lighthouse fairy seduces desirable men who then never marry. Mateo's relationship with Jerome leads to self reevaluation
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Paul's homosexual affair at Bible College with a new student named Alex sets tongues wagging, mostly with un-Christian reactions. The dean, himself a closet case, threatens to expel Paul, and the football jocks have their eye on Alex. The church confessional is sure to be busy as spirituality and sexuality clash in this movie based on a true story.
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Though gay-themed stories about "coming out" and accepting one's sexuality are not uncommon in Western countries, such tales are still rare in many conservative African nations. Considered a ground-breaking film in its native Guinea, and filmed amidst a storm of controversy, Mohamed Camara's Dakan is the first of its nations films to directly address issues surrounding homosexuality. The story centers on the romance between two 20-year-old men, Manga and Sory who are first seen making out in a car. The trouble begins when Manga tells his widowed mother about his love for Sory, who is busy contending with his outraged father. The parents insist that the two never see each other again. Manga's mother then uses witchcraft to cleanse her son and change him into a heterosexual. Time passes and eventually Manga begins to date a girl. But it soon becomes apparent that try as he might, Manga's heart belongs to Sory.
The small coastal town of Roquesas de Mar (village invented by the author) is shocked by the disappearance of one of her neighbors sixteen years of age. When days later found the girl's body, horribly maimed in the back of the house of one of the most famous residents of the village, all Alsina Alvaro suspect as the perpetrator.
In the ensuing days before his wedding bridegroom Hachemi faces both the anxieties of the future and the shadows of the past. His best friend, Farfat, is the topic of street graffiti and local gossip, which calls his manhood into question. This ripples out to affect Hachemi for, unbeknownst to anyone, as apprenticed youths they were molested by Ameur, the local carpenter. Farfat is banished from his father's home and the shared secret between the two friends threatens to undo more than just the wedding, but their very lives.
The brutally entitled Don't Be Like Brenda (1973) is an eight-minute lecture to young women, telling them not to be sexually promiscuous like the film's hapless heroine – although heaven knows, the promiscuity hinted at here is tragically modest. Poor Brenda goes all the way with a boy who does not marry her. The film is stunningly without any useful educational content on contraception and makes it entirely clear that the woman, not the man, is to blame. The film even makes her poor unwanted child suffer from a heart defect, so that no one wants to adopt the poor little thing – just to hammer the point home. (from: http://www.theguardian.com/film/filmblog/2009/feb/11/sex-education-films)
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Gerardo lets the days go by while rehearsing with his rock band. He wanders the streets looking for someone to get lost with, and avoids confessing his love for Andrea. He refuses to stay in his house, a place that is no longer a home, because, as everywhere, there is no one outside and nothing is happening.
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