Gutierritos (1959)
Genre :
Runtime : 1H 40M
Director : Alfredo B. Crevenna
Synopsis
Timid, browbeaten salaryman becomes famous author overnight.
The English-language title of this Mexican musical was The Third Word. Singer Pedro Infante stars as a pampered young man who is sheltered by his doting aunts. Deciding that their darling boy needs an education, the ladies hire pretty schoolteacher Marga Lopez. Upon discovering that her pupil is 28 years old, Marga is momentarily nonplused, but then settles into her duties. Inevitably, romance blossoms between Pedro and Marga, much to the aunts' dismay.
A lonely, aging postal worker finds himself the victim of a cruel practical joke in this pessimistic Mexican drama. The trouble begins when crotchety postman Andre begins complaining about his young neighbor Marianna's propensity for playing loud music every time she entertains a lover. To get back at him, Marianna begins sending him anonymous love letters. The old man is intrigued by the mysterious letters and hires a cheap detective to find their author. The detective is convinced the perpetrator is Teresita, a veteran hooker who joins in on the scheme to earn a little extra cash. Andre's friend and colleague tries to warn Andre that it is all a game, but his friend is in love and will not listen. Meanwhile, Marianna attempts to woo Luis Felipe, a hard, unfeeling tabloid journalist who has her take grisly pictures of murder victims for him. Both Marianna and Andre are destined to meet an unpleasant fate at the story's end.
Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.
"Ni Muy Muy, Ni Tan Tan, Simplemente, Tin Tan. Tin Tan was one of the greatest comdedian-actors in the history of Mexican Cinema. He began his film career during the early years of what became the Golden Age of Mexican Cinema. Throughout the majority of his movies he plays the character of a pachuco; the Chicano/Mexicano in zoot suit, throwing out the tirili phrases and words, and jammin the jitty-bug. With the style and the slang down to a tee, he was picked up in Cd. Juarez Chihuahua by an acting troupe. Touring extensively through-out Mexico with the troupe landed him in Mexico City with film contracts. It was in those films that Tin Tan exposed the image of the pachuco, which Mexican Youth adopted. From the desert border-towns of Juarez y El Paso the style took off in various parts of the country, most notably in Mexico City
The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.
Target of ridicule from fellow military academy, the cowardly Augustin did not want to return to their village for fear of confronting his grandfather, a revolutionary colonel. In love with the movie star Laura, Agustin flee to the capital but encounters the dangerous Humberto, another in love with the actress. Thanks to his "nine lives", he attains overcome perilous adventures and, incidentally, overcome their fears.
A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away. The film was selected as the Mexican entry for the Best Foreign Language Film at the 36th Academy Awards, but was not accepted as a nominee.
This film tells several short stories that end up lapsing in the emergency room of a hospital, because it is dedicated to nurses. Cantinflas appears at the end of the film playing the role of Luis, a man who has five daughters and looks forward to a boy, but fate plays a trick and the child dies at birth, but history gives a nice twist and a message of hope.
A peasant who works in a mahogany camp in the Mexican jungles with his family is disgusted with the miserable living conditions imposed upon himself and his co-workers, the peasant finally spearheads a revolt against the sadistic bosses.
10-year-old Elisa, whose parents are about to lose their new car due to financial problems, plans a bank robbery.
In times of the French Intervention, a student of Nunó, author of the Mexican National Anthem, falls in love with the niece of the French Ambassador, which causes quite amusing complications.
Tin-Tan wants to builds an ice cream machine.
A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.
In this movie a couple of comedians try to disappear for a while and end up in an asylum, where confused as the mad, and try to escape, but one of them falls in love and that complicates things.
A young ice cream vendor, Roberto Terranova, witnesses a child being beaten and comes to his aid by physically overpowering the aggressor. His strength and natural ability catches the eye of a well-known boxing trainer. Considering him a diamond in the rough, he aims to put Roberto in the professional ring. But Roberto finds that his personal challenges must be overcome before he can achieve professional greatness.
A man hired to impersonate a bankrupt business mogul who is currently on the run from creditors sets out organize a musical starring beauties from Brazil, Mexico, and Spain in this Spanish-language comedy starring popular funnyman Tin Tan. Now, as the hapless imposter attempts to finance a musical without any money, he also discovers just how difficult it can be to juggle three beautiful starlets who all have eyes for their presumably wealthy producer.
Adult street urchin passes himself off as rich man's long-lost son.
After St. Jude appears in Esperanza's oven, she sets out to find her daughter, who died under mysterious circumstances. The journey forces Esperanza to challenge her own beliefs and face her fears in order to be reunited with her beloved daughter.
Mrs. Nínive Cánovas Cannesi (Marshall) comes back from a long tour visiting Europe and not even realizes that her house is being inhabited by two jobless and homeless bandits (Tin Tán and Tun Tún) with master keys who had been living there worry free. They all share the house for a period of time, unknowingly to each other, in a series of well crafted and perfectly timed scenes where Catita and Tin Tán can be in the same room without seeing each other... When Tin Tán notices her presence, poses as the help, intercepting the real employees and sending to the north pole, literally. So now that Catita has them at her service, she can take time for her real goal, the foundation of a House for old people so they can live happy until the day they die, but Tin Tán and Tun Tún keep getting in her way and complicating everything...
El rey del tomate ("The Tomato King") is a 1964 Mexican comedy-drama film, directed by Miguel M. Delgado and starring Eulalio González, Luz Márquez, and Emma Roldán.
