Stadt in Flammen (1984)

‘At the work's core is an experimental approach to the stuff of film and a fiercely political outlook. Dresden Dynamo is an abstract assault on the senses. Eschewing a camera, Rhodes affixed patterned Letratone stickers to the film itself and used filters to create red and blue colours. Stripes, dots and wavy lines surge across the screen, and their forms dictate the accompanying barrage of white noise and atonal bleeps.’ --Ben Luke London Evening Standard 26 January 2012

On the evening of March 11, 1950, Annabella Bracci, a 12-year-old girl, was brutally killed and thrown into a pit on the outskirts of Rome, near the village of Primavalle. A brief and poetic account of the events and their impact on an impoverished community. A handful of wild flowers and a painful catch in the voices.

In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has "entered" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis.

An injured man lies completely still in a hospital room with doctors hovering at his bedside, appearing serene and peaceful as he slowly succumbs to death. However, in his own mind, memories of a recent battle vividly flash by. Thoughts of death and chaos haunt him, even in his final moments.

A stop-motion film with no dialogue. A musician is playing his musicc to some animals, when an hungry lion shows up.

Harry and his friend have planned to go out for an afternoon of fun. But first, Harry must figure out how to slip away from his domineering wife with some money to spend...

An animated film about the British engineer Isambard Kingdom Brunel, who spearheaded numerous engineering marvels of the early 19th century - including the Thames Tunnel, the Great Western Railway, and the Great Eastern steamship (for 40 years the world's largest steamship). Various styles of animation are used to depict events in his colorful life.

Chronophotograph record of a ball falling through a soap bubble.

Boys diving into a river.

Koko The Clown continually interrupts an animator, who turns his attention to trapping the clown.

A send-up of Griffith's THE LONELY VILLA and other movies of that sort, such as THE GIRLS AND DADDY, THE LONEDALE OPERATOR and many others, as the heroine, thinking that burglars are trying to break into her home phones her husband at the office, who rushes home.... well, who tries to rush home in his chauffeur-driven automobile.

Heretic is a modern dance work by Martha Graham performed to Tetus Breton, an old folk tune from Brittany.

A view of the entrance to the Stockholmsutställlningen, the World Exhibition in Stockholm.

A man and a woman converse at a cafe's bar in this animated short.

A tribute to the courage and resiliency of Britons during the darkest days of the London Blitz.

Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.

Trade Tattoo went even further than Rainbow Dance in its manipulation of the Gasparcolor process. The original black and white footage consisted of outtakes from GPO Film Unit documentaries such as Night Mail. Lye transformed this footage in what has been described as the most intricate job of film printing and color grading ever attempted. Animated words and patterns combine with the live-action footage to create images as complex and multi-layered as a Cubist painting. Music was provided by the Cuban Lecuona Band. With its dynamic rhythms, the film seeks (in Lye’s words) to convey “a romanticism about the work of the everyday in all walks of life."

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.

London to Brighton in 4 minutes BBC interlude. From the days when TV was all live and programming was hectic. Often when one program finished, the next one was not ready yet, and the gap had to be filled. So the BBC developed a number of interludes to fill these gaps, this being the most famous one.

A short film in which pieces of paper fly off of an animated cube.