Gabbers! (2016)
Genre : Documentary
Runtime : 0M
Director : Wim van der Aar
Synopsis
Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.
A young Spanish woman who has newly moved to Berlin finds her flirtation with a local guy turn potentially deadly as their night out with his friends reveals a dangerous secret.
A brutal home-jacking goes hopelessly wrong. Dave, one of the two robbers, manages to run off, leaving his brother Kenneth behind. Four years later, Kenneth is released from prison and much has changed. Dave has his life back on track and is trying to help Kenneth however possible, but is witnessing how the highly strung Kenneth tries to win back his ex-girlfriend Sylvie.
This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.
This work by indie filmmaker Ikon documents 20 Years of Jungle Mania, a rave held on 6 April 2013 at the Coronet Theatre in London. The event celebrated and commemorated 20 years of drum and bass music in London dance culture. In addition to coverage of the live performances and the crowd, the film features interviews with reknowned drum and bass DJs and producers who performed that night.
Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.
Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.
A Life in Waves explores the life and innovations of composer and electronic music pioneer, Suzanne Ciani.
In the not so distant future, the war on drugs is considered a failure. Prohibition has ended. A group of friends risk their relationships and sanity, to create the perfect new drug.
Drum & Bass: The Movement explores how a unique UK club culture rose from an underground movement to become a global phenomenon infiltrating and influencing disciplines from mainstream pop music to video games. From dubplates to mainstream crossovers, to the labels, the tracks and the clubs that shaped the game, Drum & Bass: The Movement is a snapshot of jungle drum & bass history and how it’s always been much more than a genre of dance music: it’s a lifestyle. The movement continues...
Live performance of the album Tubular Bells III at Horse Guards Parade London
The Concerts in China was a concert tour by Jean Michel Jarre, notable for marking the opening of post-Mao Zedong China to live Western music, in 1981. Five concerts were held in the two biggest cities, for an estimated audience of 120,000 spectators, on October 21 and 22 in Beijing, and on October 26 through 28 in Shanghai.
'Blip Festival: Reformat the Planet' is a feature length documentary which delves into the movement known as ChipTunes, a vibrant underground scene based around creating new, original music using old video game hardware. Familiar devices such as the Nintendo Game Boy and Nintendo Entertainment System are pushed in new directions with startling results. Using New York as a microcosm for a larger global movement, 'Reformat the Planet' maps out the genesis of the first annual Blip Festival, a four day celebration of over 30 international artists exploring the untapped potential of low-bit video game consoles. With floor-stomping rhythms and fist-waving melodies, trailblazers of the ChipTune idiom descend upon Manhattan to pen a new chapter in the history of electronic music.
Live performance of the album Tubular Bells II at Edinburgh Castle
Goldie, the godfather of drum and bass takes us on a roller coaster ride through his frenetic life. A journey that takes us from Wolver Hampton to Tokyo, Miami to Hong Kong; through his years in council care and his life as a musician and international pop star. Along the way we meet his family, his collaborators and his celebrated friends, David Bowie and Noel Gallagher.
A documentary about Bristol's booming jungle scene in 1996. 'Sounds of the West' documents the work of influential labels and club nights such as Ruffneck Ting and Full Cycle, and includes interviews with Roni Size, Dazee, Krust, Jakes and more.
COOCUYO. To quote a Cuban comedian: “where does the Cocuyo hide its battery?”, just thanks to its peculiarity, Desiderio uses this cockroach as a perfect metaphor to describe his protagonists: with their green lights during the night and virtually impossible to find during the day. In his movie, he tries to find the battery of the Cocuyo living and looking for the “day-time” part, creating a path made by portraits and with an anti-narrative style. These scenes are far away from the Electronic music, or partly at least; all in a very natural context and without a defined screenplay.
http://www.coocuyo.com/
A young composer moves from Berlin to the island of Ibiza and begins a friendship with an elderly woman whose painful past has caused her to reject everything to do with Germany, including her native language.
Minsk, Belarus, 1996. Velya, an aspiring DJ, wants to move to Chicago to make her dreams come true, but bureaucracy, a phone line and the human condition will put obstacles in her way that will be difficult to avoid.