Yawar fiesta: Fiesta de sangre (1986)
Genre : Drama
Runtime : 1H 25M
Director : Luis Figueroa
Synopsis
An indigenous tradition in the highlands of Peru where three key players take part: a wild condor, a raging bull and brave young men.
Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.
It’s spring in the Ecuadorian Amazon and the Uyantza festival is underway with the community celebrating all that the forest has to offer. Meanwhile, news is breaking around the world that a novel virus is spreading and a state of emergency is declared across the country. As people test positive for COVID-19 in the community, some families decide to leave and head deeper into the jungle. Disconnected from school, friends, the internet, and work, one family learns to reconnect with life in the forest. The children begin to unlearn the national curriculum, and instead are taught Indigenous knowledge that mainstream schools normally pass over. As COVID-19 wreaks havoc around the planet, the family reconnect to their ancestral ways, but as news arrives that Ecuador’s lockdown will end soon, will the family choose to return?
This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.
For ancient Mayans, cocoa was as good as gold. For subsistence farmer Eladio Pop, his cocoa crops are the only riches he has to support his wife and 15 children. As he wields his machete with ease, slicing a path to his cocoa trees, the small jungle plot he cultivates in southern Belize remains pristine and wild. His dreams for his children to inherit the land and the traditions of their Mayan ancestors present a familiar challenge. The kids feel their father's philosophies don't fit into a global economy, so they're charting their own course. Rohan Fernando's direction tenderly displays a generational shift, causalities of progress in modern times and a man valiantly protecting an endangered culture. Breathtaking vistas of lush rainforests contrast with the urban dystopia that pulled Pops children away from him. Will one child return to carry on a waning way of life
Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?
The imagination of history in Ecuador never thought that oil, “its redeeming hope”, discovered in the Lago Agrio No. 1 well, was going to mean the beginning of the worst environmental catastrophe on the planet. Thirty years of operation and exploitation of the Texaco company, forever transformed the rivers and estuaries, the forests and the life of the indigenous communities in the northern Amazon of Ecuador.
A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.
An indigenous tradition in the highlands of Peru where three key players take part: a wild condor, a raging bull and brave young men.
Based on the eponymous novel by Ciro Alegría. An indigenous community living their day-to-day and their relationship with nature. They can be reimagined as hungry dogs.
The wild beauty of the Bella Coola Valley blends with vivid watercolor animation illuminating the role of the Nuxalk oral tradition and the intersection of story, place and culture.
Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.
Alifu, a 25 year-old Paiwan boy, works as a hair-dresser in Taipei and struggles between his dream of getting a sex change operation and following his father’s footsteps to inherit the title as Chief of the indigenous Paiwan tribe. His lesbian roommate, Pei-Zhen, is also his best friend and confidante. Sherry, a transgender man, is the owner of a drag queen bar. For years, Sherry has been in love with the plumber, Wu, even though Wu only sees him as his buddy. Chris, a civil servant, lives a dull life. A one-time gig as a drag queen in the bar unexpectedly becomes his unique and secret way to relief stress. Chris has no choice but to keep this gig a secret from his girlfriend Angie. Across different genders and sexualities, the only common ground these people share is their search for love, understanding and acceptance.
(Source: Golden Village)
In Peruvian Amazonia, for the first time in many years, a Shipibo–Konibo community prepare to perform the Aneshiati ceremony: a time of dance, song, festive clothing, and drink—including the sacred tea ayahuasca.
Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.
Healing the Nation follows community members of the Toronto-based Aboriginal Healing Program as they rediscover their culture to heal from unresolved trauma. This empowering documentary dares us to think beyond mainstream medicine and embrace Indigenous ways for overcoming mental health and addiction issues.
In a remote Peruvian city, lives Honorata Vilca, an illiterate woman of Quechua descent who sells candies more than 20 years ago, with the rain will cry to the sky itself.
A day in the life of Esperanza, a Quechua girl who lives in the remote mountains of southwestern Bolivia.
In the frigid waters off of Russia’s Bering Strait, Inuit and Chukchi hunters today still seek out the giant sea mammals that have provided their people with food since time immemorial. It is known, that the whale hunting today is controversial and subject to international criticism and regulations. But the Inuit and Chukchi hunt is permitted by international law because of the whaling is the foundation of their culture and their life.
The contemporary story of elders Aleksandr and Aleksei blends seamlessly with that of “the woman who gave birth to a whale” and other ancient myths, told here in vivid animation, in this ongoing struggle for survival and preservation of a traditional lifestyle in one of the most remote places on earth.