Rio Grande Patrol (1950)

Sayra, a Honduran teen, hungers for a better life. Her chance for one comes when she is reunited with her long-estranged father, who intends to emigrate to Mexico and then enter the United States. Sayra's life collides with a pair of Mexican gangmembers who have boarded the same American-bound train.

A group of Mexican emigrants attempts to cross the Mexican-US border. What begins as a hopeful journey becomes a harrowing, bloody and primal fight for survival when a deranged, rifle-toting vigilante and his loyal Belgian Malinois dog chase the group of unarmed men and women through the treacherous borderland. In the harsh, unforgiving desert terrain, the odds are stacked firmly against them as they discover there’s nowhere to hide from the unrelenting, merciless killer.

In the Mexican state of Michoacán, Dr. Jose Mireles, a small-town physician known as "El Doctor," shepherds a citizen uprising against the Knights Templar, the violent drug cartel that has wreaked havoc on the region for years. Meanwhile, in Arizona's Altar Valley—a narrow, 52-mile-long desert corridor known as Cocaine Alley—Tim "Nailer" Foley, an American veteran, heads a small paramilitary group called Arizona Border Recon, whose goal is to halt Mexico’s drug wars from seeping across our border.

She's sexy, shameless and loves taking people to their limit. She's a dangerous young woman who dreams about a jaguar that licks her naked body and sleeps by her side. Her past is bathed in blood and weird passions. Now she's met the man of her wildest dreams. He's dark, tough and mysterious. He likes robbing banks, trafficking in corpses and spicing it all with voodoo rituals. Together, the duo sets off toward Mexico destined to become the most feared outlaws in the continent.

Giuliano Gemma stars as a cool, cocky mercenary enlisted by a sheriff to infiltrate a ruthless gang of outlaws. Ennio Morricone provided the score to this early spaghetti western hit.

Each year, hundreds of Central American migrants try to cross the northern border of Mexico on the freight train known as the Beast. That trip is usually the most dangerous journey of their lives. On the road many lost their dreams, their body parts and even their lives. Crossing Mexico is their biggest challenge, here are victims of discrimination, violence and even murder. This film portrays the suffering of those people who travel in search of a better life.

When a small town near the Arizona-Mexico border is wiped out overnight, suspicion falls on the lone survivor. But a roll of photos the survivor took that night tells a different story.

Along the Mexico border, two friends search for a ghost ship rumored to be buried in the desert sand. In the same area, drug lords employ children; the duo must decide between going after the ship or saving a young girl held captive.

A girl is in love with a gas station attendant and sees him against her father's wishes. The father is the sheriff and shortly after a confrontation with the boy friend, he is killed by escaped convicts and the daughter is kidnapped. Everyone, including the deputy, is convinced that the boy friend committed the murder and ran away with the girl. This sets up a chase of the convicts by the boy friend and of the boy friend by the police.

Doc and Wishey run into some Nazi-agents, who want to smuggle bombs into the USA from a Mexican border hotel.

In 1912, during the Mexican Revolution, the border between Texas and Mexico is on flames due to savage raids by Mexican bandits who call themselves freedom fighters, so the US government entrusts to General Pershing the capture of General Héctor Córdoba, the most notorious among them.

There's a frontier feud on the border of Mexico. Outlaw Hagen's brothers have been killed by Nevada's Kid's family.

Fowler is smuggling guns across the border and his buyer is the outlaw Bragg. The guns are hidden in the luggage of the girls that come to work in his saloon. Border guards Kansas and Chito, along with Mexican Captain Trevinom suspect them and they are trying to find the guns.

Five friends embark on a 1,200 mile journey along the US-Mexico border from El Paso to the Gulf of Mexico to learn first hand what effect a border wall will have on the natural landscape and the wild animals roaming the land.

"The 800 Mile Wall" highlights the construction of new border walls along the U.S.-Mexico border as well as the effect on migrants trying to cross in the U.S. This powerful 90 minute film is an unflinching look at a failed U.S. border strategy that many believe violates fundamental human rights.

Three brothers smuggle arms and drugs from Mexico into the US.

Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.

Roastmaster Jeff Ross explores the world surrounding the U.S.-Mexico border, speaking to immigrants, DREAMers, detainees, border patrolers, human traffickers and Trump supporters. Then he puts on a show next to the border wall to roast American immigration policies, random audience volunteers and every ethnicity imaginable.

Capt. James Stewart pursues the bandit "The Kinkajou" over the Mexican border and falls in love with Rita. He suspects, that her brother is the bandit.

his was one of the earlier uses of Robert Tansey's favorite plot (only the 3rd time he had trotted it out of the stable, but he got six more films out of it in later years) in which a group of outlaws (wrongly jailed this time) are let out to join up with the good guys against a worse bunch of outlaws. And, not unusual in the B-western genre, most of the production crew wore several hats; director Robert N. Bradbury and supervisor Lindsley Parsons wrote a song for Tommy Bupp, one of the actually good kid actors of the time who proved real quick-like that singing wasn't his strong suit, while Robert Emmett Tansey worked three jobs under three names... Robert Emmett on story and screenplay, Robert Tansey as the production manager and Al Lane as the assistant director. And, for a change, music director Frank Sanucci actually earned a composers' credit as he did write a song... Written by Les Adams