Kill Your Idols (2004)

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.

On tour promoting his 2006 studio album 'Continuum', American pop rock singer-songwriter and guitarist John Mayer performs, consecutively, an intimate acoustic set, a John Mayer Trio blues show, and a full-band concert at the Nokia Theatre in Los Angeles, California on December 8, 2007.

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.

A live performance by Radiohead of their 2007 album In Rainbows. This was their first of two full-episode performances, filmed at Maida Vale Studios in London, as part of the ‘From the Basement’ television series produced by Nigel Godrich, Dilly Gent, James Chads and John Woollcombe.

A definitive live concert film documenting AC/DC’s massive Black Ice World Tour. Shot in December of 2009, AC/DC Live at River Plate marks AC/DC’s triumphant return to Buenos Aires where nearly 200,000 fans, and 3 sold-out shows, welcomed the band back after a 13 year absence from Argentina. This stunning live footage of AC/DC underscores what Argentina’s Pagina 12 newspaper reported by saying “no one is on the same level when it comes to pure and clear Rock ‘n Roll.”

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

A punk rock band becomes trapped in a secluded venue after finding a scene of violence. For what they saw, the band themselves become targets of violence from a gang of white power skinheads, who want to eliminate all evidence of the crime.

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

On 27th July 1986, British stadium rock band Queen broke new ground by playing for the first time in Hungary, a country which was still under a communist dictatorship behind the Iron Curtain.

Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.

Jake Blues, just released from prison, puts his old band back togther to save the Catholic home where he and his brother Elwood were raised.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

A look at New York's dynamic punk rock scene through the lens of the ground-breaking Lower East Side club started by eccentric Hilly Kristal in 1973 which launched thousands of bands.

A documentary about the history and reformation of Toronto punk band Death from Above 1979.

A chronological account of the heavy metal band Iron Maiden's 2008 world tour through India, Australia, Japan, USA, Canada, Mexico and South America in a jet piloted by the band's front man, Bruce Dickinson. Features interviews with the musicians, their road crew and fans.

Filmed in front of 76,000 fans at the ANZ Stadium in Sydney, Australia, "The 1989 World Tour Live" captures Taylor Swift's entire performance while also mixing in behind-the-scene, rehearsal, and special guest footage from her 1989 Tour.

An archive celebration of studio performances from the British bands that broke through courtesy of punk between 1975 and 1982. Starting with Dr Feelgood and Eddie and the Hot Rods and culminating in Gang of Four, with performances from Top of the Pops, The Old Grey Whistle Test, Something Else and other shows by The Sex Pistols, The Clash, The Buzzcocks, The Damned, Joy Division, Siouxsie and the Banshees and many more. Hey ho, let's go!

Long before Timothy Leary urged a generation to "tune in, turn on and drop out," lysergic acid diethylamide, or LSD, was being used by researchers trying to understand the human mind. This documentary is a fascinating look at the story of "acid" before it hit the streets. Featuring interviews with many LSD pioneers, Hofmann's Potion is much more than a simple chronicle of the drug's early days. With thoughtful interviews, beautiful music and stunning cinematography, it is an invitation to look at LSD, and our world, with a more open, compassionate mind.

Bettie Page was the top pin-up queen of the 50's and has become the cult model of the 90's. Bettie was known for her distinctive hair-cut and figure when she became the most photographed pin-up of all time.

Since Bill died in 1993, his work has reached a new audience and he has become a powerful cult figure. The DVD captures Bill at his very best, with three of his legendary filmed performances: "One Night Stand" - the Old Vic Theatre in Chicago (30 min) "Revelations" - the Dominion Theatre in London (65 min) "Relentless" - Bill’s breakout performance at the Montreal Comedy Festival (70 min)

A desperate, married woman meets a mysterious man who she blatantly desires. Through some twists and turns, things do not go over as well as she seems to wish.

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

A 2002 stand-up comedy DVD starring comedian Paul Mooney, with Joe Inscoe, Bridget Gethis, and Kate Fleckenstein featured in sitcom-like cut scenes between Mooney's regular stand-up routine. Among the topics covered are the September 11 terrorist attacks, the "N" word, interracial marriage, Jerry Springer, and white people obsessed with wild animals to the point of being in danger or being killed

In the 1970s the North American Soccer League marked the first attempt to introduce soccer to American sports fans. While most teams had only limited success at best, one managed to break through to genuine mainstream popularity - the New York Cosmos. The brainchild of Steve Ross (Major executive at Warner Communications) and the Ertegun brothers (Founders of Atlantic Records), the Cosmos got off to a rocky start in 1971, but things changed in 1975 when the world's most celebrated soccer star, the Brazilian champion Pele, signed with the Cosmos for a five-million-dollar payday. With the arrival of Pele, the Cosmos became a hit and the players became the toast of the town, earning their own private table at Studio 54. A number of other international soccer stars were soon lured to the Cosmos, including Franz Beckenbauer, Rodney Marsh, and Carlos Alberto, but with the turn of the decade, the team began losing favor with fans and folded in 1985.