#Introductions (2015)
Don't let your dreams be dreams.
Genre : Drama
Runtime : 31M
Director : Shia LaBeouf, Luke Turner, Nastja Säde Rönkkö
Synopsis
Set entirely against a green screen, performance artist Shia LaBeouf recites dialogue submitted by the graduating class of Fine Art BA, with each monologue presented with intense dramatic range in a captivating episodic, artistic format.
An entomologist suffers extreme psychological and sexual torture after being taken captive by the residents of a poor seaside village.
After four college girls rob a restaurant to fund their spring break in Florida, they get entangled with a weird dude with his own criminal agenda.
A charismatic New York City jeweler always on the lookout for the next big score makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides in his relentless pursuit of the ultimate win.
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.
“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.
Conditions have been better for the nameless protagonist: his grandmother is a shoplifter and his war criminal father and sister have an unhealthy, intimate relationship with the family rabbit.
Giulia is an independent young woman who is prepared to offer her body and her spirit against all the religious taboos.
The movie is set in the brig, the walls of which are painted in a poisonous green color. There fall into two junior officers, Sergei "Fallen" Pakhomov and Vladimir "Little brother" Epifantsev. So, both lieutenant begin their dialogue. The dialogue began with a discussion of various philosophical problems, as well as the stories of two army lieutenants. Afterwards, "Fallen” starts to turn the conversation in a completely different direction, telling the "Little brother" of how he first had sex with a drunken woman, about how he ejaculated at her face, and then he defecating in the sea, and also how during his urgent service he just did not become a queer...
A man falls in love with a half-woman-half-phoenix who fell to Earth from the sky.
On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn't seen in years. The disheveled and absent friend comes to him with one request: "I need you to come with me but, I can't tell you where we're going." Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew's nightmare asks how far you would go to help a friend.
Jan Hus is a 1954 Czechoslovak film directed by Otakar Vávra. It is the first part of the "Hussite Revolutionary Trilogy", one of the most famous works of the Czechoslovak director, completed with Jan Žižka (1955) and Proti všem (Against All Odds, 1957).
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.
Set entirely against a green screen, performance artist Shia LaBeouf recites dialogue submitted by the graduating class of Fine Art BA, with each monologue presented with intense dramatic range in a captivating episodic, artistic format.
Best friends Michael and Christian navigate through the pacific northwest searching for beauty and miracles in unexpected places.
A couple is on vacation with their car. They drive past green hills and small roads. Suddenly the man realises he lost his way. They drive into a forest. How thin is the layer veneer of civilisation?
A little boy, named Prdelka, traveled with his father from Prague to the country during the Second World War. There, the boy became friends with a local fisherman and learned to catch the golden eels. Eventually, his father and mother were arrested by the Nazis and the boy stayed with the fisherman.
An elderly female psychiatrist in New York finds a female giant monster under her bed, becomes obsessed and exposes it to various scientific investigations.
The concept includes a series of shorts titled "Dispositif + No + title". They all deal with subjects mixed in a unique and unusual presentation. It is an inventively surreal image and sound experience. It is Jean Cocteau for the twenty-first century.
