Tana (1958)
Genre : Drama, Romance
Runtime : 1H 30M
Director : Kristaq Dhamo
Synopsis
The movie is based on a Fatmir Gjata screenplay. Gjata had written a novel with the same title earlier. The events evolve in the 1950s. The main character, Tana, is a smart, outgoing and progressive young woman. She is in love with Stefan (Naim Frashëri) and they both live in an unnamed mountain village in Albania. Tana has to face the old mentality of her old grandfather and she also has to fight the jealousy of Lefter . It is a love game, while socialist progress is highlighted as is often in the socialist realism.
One day a young woman named Blanca is saved by Xuan, a snake catcher from a nearby village. She has lost her memory, and together they go on a journey to discover her real identity, developing deeper feelings for one another along the way. But as they learn more about her past, they uncover a darker plot of supernatural forces vying for power, with the fate of the world hanging in the balance.
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Zed and Addison are back at Seabrook High, where, after a groundbreaking semester, they continue to steer both their school and community toward unity. But the arrival of a new group of outsiders – mysterious werewolves – threatens to shake up the newfound peace and causes a rift in Zed and Addison’s budding romance.
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Just as Tessa's life begins to become unglued, nothing is what she thought it would be. Not her friends nor her family. The only person that she should be able to rely on is Hardin, who is furious when he discovers the massive secret that she's been keeping. Before Tessa makes the biggest decision of her life, everything changes because of revelations about her family.
As a filmmaker and his girlfriend return home from his movie premiere, smoldering tensions and painful revelations push them toward a romantic reckoning.
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Hopeful romantic Thibault believes his luck could change when sparks fly between him and Rose. But can he go from bestie to boyfriend?
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
