Blondie Has Servant Trouble (1940)
No one can hold a candle to them...when it comes to uproarious...wholesome fun!
Genre : Comedy
Runtime : 1H 12M
Director : Frank R. Strayer
Writer : Albert Duffy, Richard Flournoy
Synopsis
Things get under way when Blondie Bumstead demands that her husband request a raise from his boss Mr. Dithers, so that she can afford to hire a maid. But Dithers has no time for any salary disputes: his construction firm is currently stuck with an unsaleable old mansion that is rumored to be haunted. To disprove this theory, Dithers asks the Bumstead family to spend a night in the crumbling old house, throwing a retinue of servants into the bargain.
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Things get under way when Blondie Bumstead demands that her husband request a raise from his boss Mr. Dithers, so that she can afford to hire a maid. But Dithers has no time for any salary disputes: his construction firm is currently stuck with an unsaleable old mansion that is rumored to be haunted. To disprove this theory, Dithers asks the Bumstead family to spend a night in the crumbling old house, throwing a retinue of servants into the bargain.
The 8th film in the Blondie series - Blondie Goes Latin. Mr. Dithers invites the Bumstead's on a South American cruise. Somehow Dagwood winds up as the female drummer in the ship's band, while Penny Singleton gets to show off her Broadway background in some lively musical numbers.
Blondie decides she wants to be a star and nearly turns her household upside down in this entry in the long-running domestic comedy series. Dagwood has mixed emotions about his wife's theatrical aspirations and eventually he decides to get her to quit. As usual - disaster ensues.
The Bumstead family is off to see relatives in the country when Blondie runs into Charlie and Millie, an eloping couple needing her help.
When the profits of their various film series began slumping in the mid-1940s, Columbia Pictures tried to broaden the appeal of these films by disguing the fact that they were indeed series entries. Thus it was that Columbia's 13th "Blondie" picture was shipped out as It's a Great Life. The comic confusion begins when Dagwood Bumstead (Arthur Lake), intending to buy a house, buys a horse instead. Before the film's 75 minutes have run their course, Dagwood gets mixed up in a fox hunt. But Blondie (Penny Singleton) saves the day as usual, with the help of eccentric millionaire Timothy Brewster (Hugh Herbert). After It's a Great Life and #14 "Footlight Glamour", Columbia restored the name "Blondie" to the titles of all subesequent installments in this long-running comedy series.
Blondie's first video album was produced in conjunction with the record "Eat to the Beat", featuring a music video for each of the album's twelve songs. It was the first such project in rock music. Most of the songs were filmed in and around New York, the exception was the "Union City Blue" music video, which was filmed at Union Dry Dock, Weehawken, New Jersey. Each video was directed by David Mallet and produced by Paul Flattery. The video was initially available as a promotional VHS in 1979 and subsequently released on videocassette and videodisk in October 1980.
An aimless man is sent to prison for a crime he did not commit, an ex-con targets the same bank he was sent away for robbing.
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