The Pyramid 2 (1996)
Genre : Adventure
Runtime : 2H 2M
Director : Pierre Woodman
Synopsis
The Minister of Culture wants Amira as a national treasure, but he also wants his cock sucking, so he pays a visit to a hareem and is serviced by 15 beautiful girls. He sends the police to arrest Elizabeth and the goddess Amira. William needs help to track them down, he meets two mercenaries who demand a share of the ancient Egyptian treasure he has found and they will get Amira and Elizabeth back for him.
In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.
When Dr. Indiana Jones – the tweed-suited professor who just happens to be a celebrated archaeologist – is hired by the government to locate the legendary Ark of the Covenant, he finds himself up against the entire Nazi regime.
Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
Rick and Evelyn O’Connell, along with their 8-year-old son Alex, discover the key to the legendary Scorpion King’s might: the fabled Bracelet of Anubis. Unfortunately, a newly resurrected Imhotep has designs on the bracelet as well, and isn’t above kidnapping its new bearer, Alex, to gain control of Anubis’s otherworldly army.
The Egyptian Queen Cleopatra bets against the Roman Emperor, Julius Caesar, that her people are still great, even if the times of the Pharaohs has long passed. She vows (against all logic) to build a new palace for Caesar within three months. Since all her architects are either busy otherwise or too conservative in style, this ambivalent honor falls to Edifis. He is to build the palace and be covered in gold or, if not, his fate is to be eaten by crocodiles. Edifis calls upon an old friend to help him out: The fabulous Druid Getafix from Gaul, who brews a fantastic potion that gives supernatural strength. In order to help and protect the old Druid, Asterix and Obelix accompany him on his journey to Egypt. When Julius Caesar gets wind of the project succeeding, he has the building site attacked by his troops in order to win the bet and not lose face. But just like the local pirates, he hasn't counted on Asterix and Obelix.
In the beginning was sex. To the ancient cultures, sexuality, love and sex were inextricably connected with the creation of the earth, the heavens and the underworld. To the citizens of the ancient civilizations that gave birth to ours, sensuality and sexuality were an integral part of society. This series exploration of Egyptian and Roman sexual practice allows viewers the opportunity to see how attitudes and beliefs about sexuality functioned in the early civilizations, and how those attitudes reveal the unspoken rules that defined public and private behavior. Episodes cover human sex and sexuality from a historical perspective, and examines in detail different texts and images which provide us with evidence about sexual practices, beliefs and ideologies in the ancient world – from erotica on pots to legal texts, phallic votive objects, fertility ceremonies, prostitution, female and hermaphroditic creator deities, from religious rituals to sex manuals.
A social drama that deals with the tense relationship between Muslims and Christians, through the story of a young Muslim who falls in love with a Christian girl and marries her despite the objection of everyone. On the other hand it revolves around the involvement of a businessman in a major corruption case in the country.
Travel to ancient Egypt to see how science was used to tell time, make a workable calendar, and align huge buildings. You'll learn about the connection the ancient Egyptians felt with the stars and various astronomical phenomena, and experience some of the most spectacular temples and tombs of the ancient world recreated in all of their original splendor. Telly Award winner. Narrated by John Rhys-Davies, of the Indiana Jones films and The Lord of the Rings films.
That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version.
The film tells about Reda, the taxi driver, who happens to be playing in the airport queue by delivering a wealthy widow from abroad named Eman.
The sudden death of Michael Jackson sends a former King of Pop devotee — now a young imam — into a tailspin, in this tender and comedic film from Egyptian filmmaker Amr Salama.
Dummie has homesickness. He wants to go back to Egypt to seek the grave of his parents so that he can say goodbye to them. Klaas sees that trip is not going to be easy. He finds flying to Egypt scary, it costs way too much money and Dummie has no passport. But if Dummie's painting by Miss Friek is sold for a large amount and he can organise a passport, then can Klaas, Goos, Dummie and Miss Friek leave for Egypt. But is the Tomb of Achnetoet still available after four thousand years? With a plan by Master Drab, Dummie and Goos are investigating. But the search is full of dangers and the best friends walk into a trap. Can Klaas save them on time or keep Dummie and Goos captive forever?
A young new pharaoh must face down tradition and family in order to find her place as a ruler.
Cairo, 2011. A police officer investigates the murder of a woman in a luxurious hotel in the days leading up to the Egyptian revolution.
Johnny Thunder searches for The Heart of Osiris in Egypt.
Exclusively utilizing footage from other Egyptian films that use the pyramids as backdrop, Domestic Tourism II explores the ways in which these iconic historical monuments can be reappropriated from the “timelessness” of the tourist postcard and reinscribed into the complex political, social, and historical moment in urban narratives.
In 2013, in Cairo, a tragic fate brings together several detainees from different political and social backgrounds inside a police truck, during the turmoil that followed the ousting of president Morsi.
Ramzi is a principled musician who lives in his inlaws house. He plays the piano in a resort to make a living. When his sister in law, who hates music, kicks him out, he moves back to his mother's department, and meets Amira, a childhood friend