Love Birds (1934)

The reinvigorated elderly group that left Earth comes back to visit their relatives. Will they all decide to go back to the planet where no one grows old, or will they be tempted to remain on Earth?

When a group of trespassing seniors swim in a pool containing alien cocoons, they find themselves energized with youthful vigor.

Carrie Watts is living the twilight of her life trapped in an apartment in 1940s Houston, Texas with a controlling daughter-in-law and a hen-pecked son. Her fondest wish – just once before she dies – is to revisit Bountiful, the small Texas town of her youth which she still refers to as "home."

A woman subject to mental, physical, and sexual abuse on a remote island seeks a way out.

As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao's ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view -- from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.

When a quiet group of pensioners learn that their homes are to be torn down to make way for a block of flats, they decide to take action. What starts as an attempt to discourage the developers soon escalates into wholesale murder of both the developers and the construction workers.

Chronicles the first-ever, senior citizen hip-hop dance team for the New Jersey Nets Basketball team, 12 women and man - all dance team newbies, from auditions through to center court stardom.

"Barbara Hammer's Optic Nerve is a powerful personal reflection on family and aging. Hammer employs filmed footage which, through optical printing and editing, is layered and manipulated to create a compelling meditation on her visit to her grandmother in a nursing home. The sense of sight becomes a constantly evolving process of reseeing images retrieved from the past and fused into the eternal present of the projected image. Hammer has lent a new voice to the long tradition of personal meditation in the avant-garde of the American independent cinema." -- John Hanhardt, Biennial Exhibition Catalogue, Whitney Museum of American Art, New York, 1987

Contrary to the public stereotype of a youthful homosexual community, gay men and women do grow old. Silent Pioneers presents an upbeat focus on the lives of these people today, showing them living full and diverse lives and sharing concerns on ageing, health and housing, with other senior citizens. It also considers how support networks within the gay and lesbian community have enriched and strengthened their individual lives.

A comedic deja vu story of runaway young love.

Three senior citizens in their 70s who live together are slowly decaying in endless days with nothing to do but feed the birds. One of them comes up with an idea - rob a bank. They certainly could use the money if they get away with it and if they are caught, what could happen to three old men?

Curmudgeonly old Frank lives by himself. His routine involves daily visits to his local library, where he has a twinkle in his eye for the librarian. His grown children are concerned about their father’s well-being and buy him a caretaker robot. Initially resistant to the idea, Frank soon appreciates the benefits of robotic support – like nutritious meals and a clean house – and eventually begins to treat his robot like a true companion. With his robot’s assistance, Frank’s passion for his old, unlawful profession is reignited, for better or worse.

A man who has recently lost his wife and forced to retire contemplates suicide. His friends take him on a trip to a senior resort, and invite his former sweetheart.

Ex-cop Murray(Tony Barry), is compelled to come out of retirement for one last case, when he finds out his old nemesis Frank (John Bach) is now in the Knightsbridge Gardens Retirement Village. In order to catch his man, Murray goes undercover by becoming a resident. He also discovers a world of sex, drugs and rocking chairs where life is lived and being old does not mean feeling past it. However Murray discovers that things are not always what they may seem to be.

A documentary portrait chronicling the incredible life of Dr. Ruth Westheimer, a Holocaust survivor who became the United States' most famous sex therapist. As her 90th birthday approaches, Dr. Ruth revisits her painful past and her career at the forefront of the sexual revolution.

After moving to a retirement home, restless talent manager Al reconnects with long-ago client Buddy and coaxes him back out on the comedy circuit.

Emily Walters is an American widow living a peaceful, uneventful existence in the idyllic Hampstead Village of London, when she meets local recluse, Donald Horner. For 17 years, Donald has lived—wildly yet peacefully—in a ramshackle hut near the edge of the forest. When Emily learns his home is the target of developers who will stop at nothing to remove him, saving Donald and his property becomes her personal mission. Despite his gruff exterior and polite refusals for help, Emily is drawn to him—as he is to her—and what begins as a charitable cause evolves into a relationship that will grow even as the bulldozers close in.

Lou spent so many years listening to talk radio that he was left wondering whether there was actually any reason to live.

An elderly gentleman sets out for what he thinks will be a normal day at an amusement park and is soon embroiled in a waking nightmare. [Produced in 1973, The Amusement Park was shelved after the Lutheran Society, which had commissioned it as an educational film about elder abuse and ageism, refused to release it due to its disturbing content. It premiered at the American Film Festival in New York in June 1975 and was a finalist in the competition, but went otherwise unreleased. It was believed lost until a print was discovered in 2017, shortly before Romero's death. It was subsequently given a 4K restoration by IndieCollect, which premiered in 2019.]