The Terror and the Time (1979)

A man befriends a fellow criminal as the two of them begin serving their sentence on a dreadful prison island, which inspires the man to plot his escape.

This 2004 documentary by Werner Herzog diaries the struggle of a passionate English inventor to design and test a unique airship during its maiden flight above the jungle canopy.

Rare footage shot inside the People's Temple gives an insider's look at the tragic Jonestown Massacre that occurred in Guyana in 1978. Interviews with survivors attempt to shed light on how and why 900 Unitedstatians would follow one man to their deaths.

The abolition of slavery in the British Caribbean in 1834 prompts Gillanders, Arbuthnot & Company in Calcutta, a part of the East India Company, to recruit Coolies from India to fill the resulting labor void. The company hires Sinha, a fierce small-timer to sell dreams of El Dorado to the unsuspecting, impoverished Coolies who are signed to five-year contracts as indentured servants. Upon the Coolies' arrival in British Guiana in 1838, the British planters promptly enslave them to ensure that the growth of sugar in the British West Indies will continue uninterrupted. John Scoble of the British and Foreign Anti Slavery Society arrives on the colony a year later to discover a new form of slavery; this time on the backs of Indians.

Documentary about repressive violence in colonial Guyana.

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.

For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.

Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."

The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a 'pee' gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.

The film goes behind the scenes of the 1999 sci-fi movie The Matrix.

Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.

A film that exposes the shocking truth behind the economic crisis of 2008. The global financial meltdown, at a cost of over $20 trillion, resulted in millions of people losing their homes and jobs. Through extensive research and interviews with major financial insiders, politicians and journalists, Inside Job traces the rise of a rogue industry and unveils the corrosive relationships which have corrupted politics, regulation and academia.

Delve into the world of Batman and the vigilante justice that he brought to the city of Gotham. Batman is a man who, after experiencing great tragedy, devotes his life to an ideal--but what happens when one man takes on the evil underworld alone? Examine why Batman is who he is--and explore how a boy scarred by tragedy becomes a symbol of hope to everyone else.

Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).

Johnny Knoxville of 'Jackass' releases unused material of stunts, tricks, antics and shenanigans shot during the production of 'Jackass 3D' that didn't make it into the film, as well as the hilarious outtakes.

A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.

Giving fans unprecedented access to the real life of the music sensation, Katy Perry: Part of Me exposes the hard work, dedication and phenomenal talent of a girl who remained true to herself and her vision in order to achieve her dreams. Featuring rare behind-the-scenes interviews, personal moments between Katy and her friends, and all-access footage of rehearsals, choreography, Katy’s signature style and more, Katy Perry: Part of Me reveals the singer’s unwavering belief that if you can be yourself, then you can be anything.