Dallas 362 (2005)
Sometimes the only way home is through hell.
Genre : Drama
Runtime : 1H 37M
Director : Scott Caan
Synopsis
Rusty (Shawn Hatosy) has been bailed out of bad situations more than once by his understanding but distraught mother, Mary (Kelly Lynch). When Mary starts dating a psychologist, Bob (Jeff Goldblum), Rusty connects with the man and begins talking to him about his problems. As Rusty benefits from the therapy sessions, his best friend, Dallas (Scott Caan), still very involved in illegal and dangerous activities, takes issue with Rusty going straight and cleaning up his life.
A teenage boy named David is afraid of being transparent. When David's best friend, Johnathan, notices his abuse at home, David must overcome his fear of rejection in order to embrace his friend's support.
Zeynep, a young and idealistic teacher, has economic problems. Zeynep enters a world she doesn't want when she starts giving private lessons to a mafia boss's child.
The life of Mrs. Bertha Sánchez has changed because of a virus that threatens the world. She, locked in her home, adapts to the important change and the challenge that society suffers. She finally finds a balance in her routine between what appears to be a dark reality and a bright learning opportunity.
Hopeful romantic Thibault believes his luck could change when sparks fly between him and Rose. But can he go from bestie to boyfriend?
When a biker gang's drug operation is raided by the ATF the gang leader's two sons develop differing views about the gang's future.
Two friends go to a local sex shop where they have a business meeting with the boss.
One day, Hiroko accidentally starts a small fire while she is cooking. Although it does not lead to a serious incident, it does result in her going to stay with her eldest daughter, Yuko, for whom Hiroko has never been the mother she wanted.
Four days in Lissy's life where she gets to live out her opposition and enters a completely unknown world.
A young mother awakens in a mysterious cell and is forced to harness her telekinetic abilities in order to escape and save her daughter.
With his girlfriend dead at the hands of the Japanese mob, a broken man with nothing left to lose strives for brutal revenge.
A woman who focused on being a mother feels that she no longer has any purpose now that her son has made his own life, until one lonely night after a storm, she finds a nest on the ground of her garden with a small egg that gives signs of life, and when she rescues him she puts aside her monotony to take care of him as if she were his mother.
This autobiographical film documents an attempt at healing the trauma of touch between mother and child, as the filmmaker and their mother talk openly for the first time about the intergenerational trauma and abuse within their lives. Present day phone conversations are juxtaposed with archival VHS footage, creating a connection between the past and a re-write for the future.
A dinner goes horribly wrong.
In an effort to forget his dead wife, an old man drowning in his memories decides, with the help of a young scavenger, to get rid of all the items of the home he formed with her.
Miranda, the Manchester Acatitla forward, returns home after a victorious match. On her way back, she faces dangers off the court.
A mother visits her reclusive adult son in a last ditch effort to convince him to come to the hospital to say goodbye to his dying father, but his resentment has a life of its own...
After_Life is a science fiction drama about Kurt, a young man who is trying to relive a failed relationship. After an accident, he will soon have to face the consequences of his failures and regrets, before it is too late.
Carr plays Anna Webb, whose husband John (Lynn Hammond) invents a new kind of sewing machine. The patent makes the family wealthy, and after Webb dies, Anna takes over the business. She puts her sons John (Percy Helton) and Harry Joseph Striker) in charge of the factory, while daughter Ruth (Jane Thomas) elopes. When Harry steals some money, the blame falls on John, who leaves town.
