The Seasons Alter (2002)
Genre : Drama
Runtime : 5M
Director : Roger Lunn
Synopsis
The world is burning up, icecaps melt, floods drown the landscape and people starve. These images are from a Shakespearean speech that dates from the seventeenth century. Climate change today has twisted the seasons beyond recognition, and the Bard's words describing a 'mazed world' are more relevant now than ever before. 'The Seasons Alter' is a vivid short film that uses Shakespearean poetry in the mouths of a modern family to illustrate the most pressing environmental challenge of our time.
A nurturing farmer in is danger of losing his crop of windmills when he struggles against the cyclical forces of nature.
An unknown virus has destroyed almost the entire human population. Oblivious to the true nature of the disease, the only remaining survivors escape to the sea. In great ships, they set off in search of uninhabited land. So begins the exodus, led by one man ...
Papiroflexia (Spanish for “Origami”) is the animated tale of Fred, a chubby man with a passion for paper folding, who wants to change the world with his art.
Donald is preparing a little picnic when he sees some ants passing by. He decides to tease one, ultimately by piling lots of food onto it. The ant eventually stumbles, but realizes Donald is sitting on a veritable gold mine. He rallies his fellow ants, and while Donald is napping, they cart him to a cliff and drop him into the river. When he returns to the raid in progress, he finds himself powerless to stop it. He dynamites the ant hill, but that only separates the ledge he's standing on, and he finds himself in the river again as the ants finish off a cupcake.
A prince discovers an enchanted beauty turned into a frog by Koschei the Immortal. After Koschei steals her again, the prince goes on a dangerous quest to free the land of the evil.
Lifelong friends Danny and Mark, both seventeen, struggle with the awkwardness of saying goodbye the night before Danny leaves for university in the city. Mark will stay behind to work on his father's farm, hoping someday to buy some land of his own.
I Love to Singa depicts the story of a young owl who wants to sing jazz, instead of the classical music that his German parents wish him to perform. The plot is a lighthearted tribute to Al Jolson's film The Jazz Singer.
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The sad and happy times of a young girl and her bear doll, a young mouse and his family, a sycamore tree, an old lamp post, a hoodlum moth and an alleyway full of posters coming to life.
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In this Lone-Ranger spoof,a cleaned-up version of Pegleg Pete robs a western bank and makes his getaway, and decides to hide his loot in a tree inhabited by two chipmunks, the chattering-and-clattering Chip 'n' Dale. They resent the intrusion but really begin to give Pete a hard time when they discover a reward if posted for his capture. The cavalry arrives but Chip 'n' Dale have the situation well in hand.
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Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.
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Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.