/sg7Uhy0BuqeQooKlpvQ7VsbJHnq.jpg

Video Album 5: The Thursday People (1987)

Genre : Documentary

Runtime : 59M

Director : George Kuchar

Synopsis

The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life. McDowell was dying from AIDS-related illnesses during the production of the diary. “An elegy for McDowell, the videowork captures Kuchar’s mournful remembrances of his long-lasting friendship with the young filmmaker. But it also has the inquisitive charm, perverse humor, and quirky candor that places Kuchar’s visual expressions in a gritty niche all their own.”

Actors

George Kuchar
George Kuchar
Mike Kuchar
Mike Kuchar
Curt McDowell
Curt McDowell
Mark Ellinger
Mark Ellinger
Melinda McDowell
Melinda McDowell

Crews

George Kuchar
George Kuchar
Director

Similar

Chromo sud
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
Day Tripper
A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.
Homeo
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Read It and Weep
A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.
Caro Diario
Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
Diaries, Notes, and Sketches
An epic portrait of the New York avant-garde art scene of the 60s.
He Stands in a Desert Counting the Seconds of His Life
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
Chumlum
Ron Rice's Chumlum is one of those films in which the conditions of its construction are integral to the experience of watching it. It is a record of a cadre of creative people having fun on camera, playing dress-up, dancing, flirting, lazing around.
It’s so fucking empty
A Different point from the eyss of Yuval Shamshins's life, in the modern days of the Covid-19. The movie is built upon the small moments of life, full of Metaphors and Images in order to built a cinemathic perspective.
Highway
A man suffers from the effects of a mysterious psychedelic in a seemingly endless forest.
Under The Rainbow
Vivi finds herself in a mysterious world and must face an ominous Queen to unlock the secrets of this mystical world, as well as her own existence. Under the Rainbow is a psychedelic dark fantasy/horror adventure.
Lost, Lost, Lost
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
නිම්නයක හුදකලාව
A creative director of an Advertising Agency, going through an experience that he has never encountered before, where time has stopped.
La deuxième femme
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
New Old
"Chronicles of the Present Times" - An experimental trilogy comprising 'Visa De Censure No.X', 'Livre De Famille' and 'Anima Mundi'. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.
Birth of a Nation
Filmmaker Jonas Mekas films 160 underground film people over four decades.
And in shallow waters, then i learned not to swim but to lie
Footage from summer of 2018 that explores the passing of time regarding the little things in life.
Bufo Alvarius – The Underground Secret
My Son's Wedding to My Sister-in-Law
A short documentary by Jim McBride.