Bo (2010)
Genre : Drama
Runtime : 1H 40M
Director : Hans Herbots
Writer : Nele Meirhaeghe, Christian Vervaet, Hans Herbots
Synopsis
Fifteen year old Deborah meets Jennifer who steers her into a career as an escort. Under the alias Bo she begins a new life that she cannot handle and starts a downward spiral that only she can end.
Desperate for a good story, a sex-addicted journalist throws himself into the world of high-class escorts when he starts following a Stanford-educated prostitute.
A promising teenage dancer enrolls at a prestigious ballet school while grappling with her gender dysphoria.
Chelsea is an in-demand call girl whose $2,000 an hour price tag allows her to live in New York's lap of luxury. Besides her beauty and sexual skill, Chelsea offers her clients companionship and conversation, or, as she dubs it, "the girlfriend experience." With her successful business and a devoted, live-in boyfriend, Chelsea thinks she has it made... until a new client rocks her world.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
A brutal home-jacking goes hopelessly wrong. Dave, one of the two robbers, manages to run off, leaving his brother Kenneth behind. Four years later, Kenneth is released from prison and much has changed. Dave has his life back on track and is trying to help Kenneth however possible, but is witnessing how the highly strung Kenneth tries to win back his ex-girlfriend Sylvie.
Vincke and Verstuyft are one of the best detective teams of the Antwerp police force. When they are confronted with the disappearance of a top official and the murder of two prostitutes, the trail leads to the almost retired assassin Angelo Ledda. Since Ledda starts showing symptoms of Alzheimer's, it's getting more and more difficult to complete his contracts. When he has to murder a 12-year old call-girl, he refuses and becomes a target himself. While Vincke and Verstuyft are chasing him and counting the corpses, Ledda is taking care of his employers.
An overenthusiastic high-school maintenance man attempts to lead an unlikely group of misfits to the Nebraska state tennis championship in Balls Out: The Gary Houseman Story? director Danny Leiner's underdog sports comedy. American Pie star Seann William Scott stars as the ambitious janitor who believes he has what it takes to coach the winning team.
Kevin has sworn off sex to win back his former fiancée when he meets a beautiful escort named Zade. Over the course of a legendary party, Zade just might provide the spark that this heartbroken idealist needs to turn his life around.
To avoid the rigors of the law, Gilda flees New Orleans and hides on a Caribbean island where the worst criminals can ask for asylum. Besieged by the scum of the earth, Gilda will soon find out that she has found refuge in hell.
A chilling thriller about a woman, who upon moving in with her new boyfriend, becomes obsessed with the fate of the previous tenant and descends into madness.
Alice, a perfect wife and mother who lives happily with her husband and child until the day she discovers her husband is living a double life that has ruined her financially and left her a single mother. Alice fights back and dives into a world beyond anything she has ever known.
Antwerp, Belgium. The lives of four small-time drug dealers spin out of control when they steal a shipment of cocaine, triggering a full out war between an Amsterdam drug lord and a ruthless Colombian cartel.
Kay Arnold is a gold digger who wanders from party to party with the intention of catching a rich suitor. Jerry Strong is a young man from a wealthy family who strives to succeed as an artist. What begins as a relationship of mutual convenience soon turns into something else.
Antwerp, at the beginning of June. On a sunny Friday, eight people dream of having a different life. There's wind and music, police and paranoia, gossip and fighting. There's an old virus, an astrayed frisbee, a dead horse, and a mysterious person called Windman. In the evening there's a party …
Madrid, Spain. The bedroom of Sofía, a luxury escort. Her new client, who has introduced himself as Hugo and appears to be an educated businessman, discovers that she has a name tattooed on her leg: Diana. Hugo cannot help asking her who Diana is.
A man who hires a sexy escort to play his wife at his high school reunion gets more than he bargains for, especially when she takes him for everything he's got.
Dedee is a prostitute, working in Monsieur Rene's night club on Antwerp's harbour. The porter is Marco, her pimp. Dedee is not happy, until she meets Francesco, an italian sailorman. They fall in love and Dedee begins to dream about an escape of her daily dullness.
When Eric pays an escort, Veronica, for 60 minutes of her time he intends to use this opportunity to convince her to quit this line of work. But Veronica is no damsel in distress and what ensues is a verbal battle of wits as sparks fly and the pair attempt to win their argument all the while peeling away the layers of who they really are. What they find out about themselves and the secret Eric holds will ensure nothing remains the same again. Told in real-time and set entirely in one location with only two characters 'The Escort' is a film about relationships today and the intimacy which is lost in the social media age. Written by Phoenix Waters Productions
Jay Rountree, a young, rising businessman and a son of a wealthy manufacturer gets caught up in a web involving an escort service or 'party girls' and trapped into an unhappy marriage.
An inside look at the gritty streets of Brazil.
Meis is fifteen, lives in the back of beyond and aspires to a grand and stirring life, but all that happens is the passing of the time, waiting for the next car to run into the front of the house.
Years ago, Lepel's parents left an hot air balloon world tour. He stays with granny Koppenol, a mean bitch who constantly exploits him for domestic chores, in her buttons shop and even as accomplice in the department store where she steals the buttons from clothes. After she won't even leave him the balloon kind salesman Max gave him, Lepel, now 9, runs away. He meets Max's slightly older daughter Pleun. Schoolmaster Bijts is also looking for him, but only as arithmetics talent for an academic schools contest. Max accidentally finds out the sad truth about Lepel's family.
In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, a nude art dancer/drug addict/scandalous figure of post-WWI Berlin. (Berber died of tuberculosis in 1928, having achieved significant success and recognition throughout the dance world.) Frau Kutowski is placed in a mental hospital, where in her own mind she acts out Berber's final days, including in her fantasies the hospital's staff and patients, to represent Anita's friends and associates.
In 2010 Martha Nabwire and Niki Tsappos took part in the biggest international Street Dance Competition, Juste Debout in Paris. It was the first time ever two women became World Champions in Hip Hop. This film depicts their love of dance, each other and about friendship put to the test. About desires, yearning and finding the right path in life.
A story about poverty, honour and forgiving.
A series of tail ends of varied strips of film, with sometimes recognizable images dissolving into light flares, appear to run through and off of a projector. A romantic "narrative," suggesting an "ending," is inferred.
Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models
Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Bandits in Sierra Morena assault the carriage in which the Duchess of Benamejí travels. A romance starts between her and the boss of the gang, Lorenzo, that arouses the jealousy of Rocio a gypsy who lives with the bandits. Meanwhile, the Marquis of Peñaflores, a captain in love with his cousin the Duchess, chases the bandits. Rocío reveals to the Marquis where Lorenzo and his men are and taking advantage of the tumult of the fight, she kills the Duchess. Her death will cause a change in attitude both Lorenzo and Peñaflores
Set on the landing and the stairs of Zwartjes’ new house, then still empty, in The Hague. The filmmaker suggests a mysterious and complex space by using a ‘floating’ camera to film a number of crawling, creeping personages. (MUBI)
The story of a beautiful, vivacious gypsy girl and the two doomed men who fall for her.
Discovered in summer of 1985, of a set of “haiku-imagistic films” I did before coming to my characteristic style, as in Ray Gun Virus; I thought I’d destroyed all these pre-pure films, in about 1969-1970, the time of my separation from my first marriage. The film concerns my marriage, which lasted seven years; it was shot during its first year, when I was a painting student at the University of Denver. It is full of apprehensions, in a montage style which counterposes “opposites”: sexuality and religion; seasonal opposites; hopefulness undercut by fears of eventual separation (the image of a statue of two women, arm in arm, reading a book). I find it visually and kinetically interesting, after all these years. (Paul Sharits) —Canyon Cinema
The love story of Dan (a beautiful young woman) and Gu (a humpback), servants from two separate households in Ha Dong, Vietnam who have suffered most of their lives at the hands of their cruel masters. The couple flee south soon after Gu presents Dan with a wedding gift - the precious white silk dress his mother had owned (his one valuable possession), while he promises her a proper marriage someday in the future. The couple arrive in the seaside town of Hoi An and build a new life, with Dan ultimately giving birth to 4 daughters. Despite struggling through immense poverty and hardships, the family is happy and fulfilled as long as they have each other, but the horrors of the encroaching war brings tragedy and threatens to tear them apart.
The feature length Normal Love is Jack Smith’s follow up to his now legendary film Flaming Creatures. This vivid, full-color homage to B-movies is a dizzying display of camp that clearly affirms Smith’s role as the driving force behind underground cinema and performance art of the post-war era. The cast includes Mario Montez, Diane de Prima, Tiny Tim, Francis Francine, Beverley Grant and John Vaccaro. Smith was known to constantly re-edit the film, often during screenings as it was still unspooling from the projector. This print has been restored under the supervision of Jerry Tartaglia and is provided by Filmmakers Co-operative in New York City.
DOGMA 95 exists for over 10 years now. But it has been living in the Balkans forever. A desperate filmmaker swears it's time to kill DOGMA . But how far will she go to make it come true?
A teenager, Andrei, is madly in love with his neighbour, Monica. He calls a hotline for tips about art of seduction.
Singer Oksana has lost her beloved in the war. Everyone thinks he perished, but actually he was taken prisoner, then ran away, hid, fell into American hands, and… Finally, he returns to his village, and meets Oksana. —Yerevan International Film Festival
Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of colour and music featuring a who’s who of the French 60s underground.
A survival, silent black & white film shot with a hand camera, a journey into Philippe Garrel's intimate family album featuring the two women who counted in his cinematographic life: Nico and Zouzou.
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut