Majora's Mask: Terrible Fate (2016)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A butcher in Paris takes his revenge after his daughter is brutally attacked.

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting.

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.

A unique story told by nine different actors which explores the haunting of a conscience by lost souls that won't let go.

In order to demonstrate how to haunt a house, the narrator arranges for Goofy to temporarily be "not living" and selects Donald Duck to be the one whom Goofy's ghost will haunt.

Sofía, a little girl of seven, remembers the day she fractured her arm while being chased through the forest; a story full of fantasy that hides a heart rending moment in Sofía's life.

Trains travel through the night without stopping. The clatter of the carriages quickly disappears, along with the wail of the locomotive. The people at the station are all asleep. But why are they so exhausted ? And what are they waiting for? Set inside an isolated train depot, The Train Station is one of Sergei Loznitsa's most haunting films. It is also one of his most pointed social critiques. In this film, we are brought to a remote train station deep in the Russian woods. It's nighttime. In the distance, we hear the clatter of locomotives. The station, a small wooden building, sits silently, surrounded only by snow and train tracks.

Nulepsy: the pathological need to be nude. An elderly man recounts his life story characterised by the rare, exceptional and inconvenient disease he suffers from.

The 1975 Super-8 short Aquarium is Zulueta’s first available incursion into the psychodrama—in which the filmmaker dramatises a disturbed state of consciousness—in which appear lyrical passages of the kind that will be made by the fictional experimental filmmaker played by Will More in Zulueta’s 1980 feature Arrebato. (Senses of Cinema)

Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.

Affectionate, experimental short documentary that paints a mosaic of Cuba by focusing on a microcosmic "old neighborhood", where the country's personality slowly emerges through its various dualities: young and old, day and night, sound and silence, Christianity and Santería, civilian life and military presence, poverty and abundance.

The short film is about a boy who lives and works on a farm. One day when going to sell vegetables at a market, his cart breaks down. Two strangers, a frog and a mole, offer him a strange seed in exchange for the vegetables. The boy accepts and finds that the seed grows into a miniature planet. It continues growing as he tends to it, forming an atmosphere, weather systems and life. After being taken back to the city, he meets the stranger who sold the seed to him, and they release the planet into a galaxy of similar planets, where it will grow for years until becoming a real planet.

The short film's main character is a diving bell spider who seems to have fallen in love with a water strider. Although she is scared of him at first, the water strider soon gets used to the presence of the spider.

Chu Zumo is the story of an old farmer who discovers a group of rats heading to a sumo wrestling bout. After they lose miserably he decides to feed the rats to boost their chances of winning.