Die Vierte Gewalt (2012)

A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.

When her daughter is kidnapped in Belize and held hostage to be used for human organ trafficking, Kate Johnson goes on a crusade to infiltrate the cartel and rescue her.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Since her childhood, the eccentric artist Johanna Seelig has been living in her parents' home, an old inn on a picturesque lake. She has not rented a room for a long time, her only permanent guest is the quirky German studies professor Franz Gmeiner. One day when Johanna takes her offended niece Malu with her, her contemplative life is whirled upside down. The family comedy "Room with Aunt" tells the story of an unusual friendship. The main roles are played by Jutta Speidel and Nadia Hilker.

As a nun, Katharina von Bora lives the life destined for her until she comes into contact with a completely new world of thought in the early 20s through the writings of Martin Luther. She flees with some of her co-sisters and comes without legal status, without income and rejected by her family to Wittenberg, where she meets Martin Luther personally. Katharina decides to marry the reformer and, as his wife, becomes a respected housekeeper, an equal interlocutor and the mother of their children together.

Hilla grows up in the 60s, her father is a worker and her mother a charwoman. But she wants a different future for herself, wants to study. After a violent incident she needs a strong shoulder. Who of her life will do?

Diagnosis burnout: The successful career woman Toni Lehmstedt can be referred to a psychiatric clinic after a physical breakdown. Urs Egger's free adaptation of the biographical novel of the same name by Miriam Meckel with Grimme award winner Marie Bäumer in the leading role.

How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.

In 1995, Adina Howard made waves in the world of music with her hit song “Freak Like Me.” Never before had a solo R&B female artist made such a bold and controlling stance sexually through song. Along with becoming one of the highest selling singles and most played music videos on MTV and BET in 1995, Adina Howard’s performance allowed young women of color and future recording artist to express their sexuality without shame. “Adina Howard 20: A Story of Sexual Liberation” shares Adina’s story through her own words as well as the impact that she made during the 1990s and thereafter. Adina speaks on her relationship with Tupac Shakur, the banning of her music video from BET, landing a cameo role in the movie “Waiting to Exhale,” her encounter with legendary vocalist Nancy Wilson, working with Hollywood giants Jackie Chan and Jamie Foxx and the sudden halt to her stardom due to her comments about record exec Sylvia Rhone.

They once played together in a band called Chix and were inseparable. Today, each of them has their own problems.

American Reflexxx is a short film documenting a social experiment that took place in Myrtle Beach, South Carolina. Alli Coates filmed performance artist Signe Pierce as she strutted down a busy oceanside street in stripper garb and a reflective mask. The pair agreed not to communicate until the experiment was completed, but never anticipated the horror that would unfold in under an hour. The result is a heart wrenching technicolor spectacle that raises questions about gender stereotypes, mob mentality, and violence in America.

For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.

Joe Enders is a gung-ho Marine assigned to protect a "windtalker" - one of several Navajo Indians who were used to relay messages during World War II because their spoken language was indecipherable to Japanese code breakers.

The CIA’s hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agency’s man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky – a satellite link – watches Ferris. At the other end of that real-time link is the CIA’s Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he discovers trust can be just as dangerous as it is necessary for survival.

Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."