Film 9 (1926)

Few films wield the awesome spiritual power of Jazz Dance, on which Leacock was one of two cameramen charting the slow, smoldering build of a Manhattan dance club from idle space to explosive, carnal bacchanal. Employing handheld cameras, limited light and sheer proximity, the film achieved an intimacy never before witnessed in a documentary.

Baptist convention, funeral home, and assorted locations in Denver, CO; Tulsa, OK; Muskogee, OK; and unidentified locations.

Well-known locations in New York City. Clergy and others in Chicago; Muskogee, OK; and Bristow, OK.

Rottenberg’s newest film, Cheese (2007), conflates farm-girl imagery with the fairy tale “Rapunzel” into a story loosely based on the Sutherland Sisters, renowned for their extremely long hair. Floating through a pastoral yet mazelike setting of raw wooden debris cobbled together into a benign shantytown, six longhaired women in flowing white nightgowns “milk” their locks and the goats they live with to generate cheese. Shots of animals crowded in pens and the sisters’ bunk bed– cluttered room visually compare the women to their ruminant allies. As nurturing caretakers, these women represent maternal aspects of Mother Nature. Here Rottenberg investigates feminine magic, the ability to “grow things out of the body” as she says, as the ultimate, wondrous physical mystery.

Impressionistic study of the fate of a stray dog, trying to avoid the results of human indifference and cruelty.

A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a thief and not to be trusted. Dumped in the desert, the thief covers his marking with a headscarf and goes to the nearest village where he is taken in by a trusting family in return for his work. However, has be actually changed or is he still the same thief at heart?

Christian holy sites in Jerusalem and Galilee, Israel.

Residences, tombs, and other locations in Eufaula, OK, and unidentified locations.

“The Forgotten Faces (1961), a film reconstruction of the Hungarian revolution of 1956, won Watkins another amateur Oscar, and to this day, the film is praised in England as "one of the most memorable amateur films ever made".

Documentary short by Humphrey Jennings

A confrontation of two worlds-- Two rooms, one of which is full of light and colors, the other a monotonous gray.

This short 1966 documentary dedicated "to all victims of intolerance” depicts the dawn of skateboarding in Montreal. A new activity frowned upon by police and adults, skateboarding gave youngsters a thrilling sensation of speed and freedom. This film - the first Canadian documentary ever made about the sport - captures the exuberance of boys and girls having the time of their lives in free-wheeling downhill locomotion.

The film is a documentary portraying a struggle as man tries to subdue nature. To prevent flooding and for purposes of land reclamation, the people of the Netherlands struggle and succeed in building a breaker, thereby eliminating the wild inland body of water once known as the Zuider Zee (now called Ijsselmeer).

A short film featuring the voices of those affected when the M11 Link Road in East London was built, accompanied by scenes and sounds of demolition.

Early Balkan footage.

This film illustrates the history of the St. Lawrence river. From prehistoric times on, it has been a magnificent source of life. The film covers the impact of humanity beginning with the careful relationship with the Native Americans. This soon changes with the arrival of Europeans who begin the insatiable exploitation that would led to the river's damage, creating a situation that we must resolve for all our sakes.

Documentary about a miner's strike in Borinage.

Ferdie's wife is fox-trot crazy, wanting to go dancing all the time. To get out of it, Ferdie fakes an ankle injury. When his wife spies him walking without his crutch, she writes a letter to her stern mother, inviting her to stay with them while Ferdie heals. Rather than face his mother-in-law, Ferdie admits he was faking his injury, and tears up the letter.

A continuous zoom traverses the space of a breakfast table, serving as a grand metaphor for indigestion.

Early Balkan footage.