Forever Fever (1998)
A romantic comedy with twists and turns.
Genre : Comedy, Music, Romance
Runtime : 1H 35M
Director : Glen Goei
Synopsis
Kung Fu meets disco in Singapore. Hock is a grocery clerk longing for a motorbike. He lives with his parents and sister; they idolize his younger brother, Beng, a medical student calling himself Leslie. Hock loves Bruce Lee; he works out and imitates his moves. When Hock sees a cheesy local version of "Saturday Night Fever," he gets the disco bug, taking his pal Mei to nightly lessons in hopes of winning a contest and buying the bike. He's blind to Mei's falling in love with him, and, at the last minute asks another woman to be his partner in the contest. Meanwhile, Beng reveals a personal secret to his family and a crisis ensues. Hock, Beng, Mei and her rival: it's Night Fever.
After Satoru Watarai graduated from elementary school, he dropped out of school and decided to live within his apartment complex, never to venture outside. Satoru Watari then meets his old friends as they are coming back from their middle school classes. Satoru has now gotten a job at a cake shop within the apartment complex and eventually gets engaged to one of his friends. Satoru, still lives within the apartment complex only, but, as time passes, more of his friends leave ..
Filmmaker Ralph Arlyck first met Sean while living as a graduate student in Haight Ashbury at the height of the 1960s. The city was awash with the trappings of America’s cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck’s building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera. Sean’s casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence- “Sure, I smoke pot”-but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.
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