/g9YWUiK4F6ACZdeYZOANBzLUwbx.jpg

Rekordåren 66/67/68 (1969)

Genre : Documentary

Runtime : 1H 18M

Director : Lena Ewert, Staffan Hedqvist, Ann-Charlotte Hult, Olle Jeppson
Writer : Lena Ewert, Staffan Hedqvist, Ann-Charlotte Hult, Olle Jeppson

Synopsis

Critical documentary about urban planning in the city of Stockholm. Made by students at the Swedish Film Institute's film school. The film created a great debate in Swedish media and especially between the film institute's CEO Harry Schein and the filmmakers.

Actors

Tomas Atmer
Tomas Atmer
överingenjör på Stadsbyggnadskontoret
Nils Hallerby
Nils Hallerby
borgarråd
Göran Sidenbladh
Göran Sidenbladh
stadsbyggnadsdirektör
Folke Kristensson
Folke Kristensson
professor vid Handelshögskolan
Albert Aronson
Albert Aronson
direktör i AB Svenska Bostäder
Hjalmar Mehr
Hjalmar Mehr
borgarråd
Bror Engström
Bror Engström
stadsfullmäktigemedlem i Nacka

Crews

Lena Ewert
Lena Ewert
Director
Staffan Hedqvist
Staffan Hedqvist
Director
Ann-Charlotte Hult
Ann-Charlotte Hult
Director
Lena Ewert
Lena Ewert
Screenplay
Staffan Hedqvist
Staffan Hedqvist
Screenplay
Ann-Charlotte Hult
Ann-Charlotte Hult
Screenplay
Olle Jeppson
Olle Jeppson
Director
Olle Jeppson
Olle Jeppson
Screenplay

Similar

A Respectable Life
"A Respectable Life" - A decade has gone by and the spirit of the preceding film, Dom kallar oss mods, has disappeared. Kenta is an alcoholic and lives with his girlfriend Eva. Together they have a son, Patric. Kenta's mom is in jail for manslaughter and Kenta goes to Kronoberg to greet her. Heroin also comes to play and Stoffe is one of those who falls victim to it. He lives with his girlfriend Lena and their young son, Janne. Lena later throws Stoffe out their home when she gets enough of his abuse, and he is forced to live with his mother. Kenta calls Stoffe and decides to meet him, and he tries to persuade him to give up heroin, but the two have a falling out and they separate. This film features other users from the previous film, such as Jajje and Kenta Bergkvist. The film ends with the death of a prominent person in the trilogy.
Misfits to Yuppies
Misfits to Yuppies is the last of three films (Dom kallar oss mods, Ett anständigt liv, Det sociala arvet) that shows conditions for addicts in Stockholm and try to find out how social legacy have been transferred to their children from previous films.
The Stone Face
After losing his son in a traffic accident and his wife to mental illness, Harry moves to a gloomy Stockholm suburb. A local youth gang is harassing the neighborhood and Harry comes up with the idea of hiring the gang to kill the bureaucrats who are responsible for the construction of the suburb. The film is a fierce critique of the political project of building suburbs designed only for workers to sleep in and also wants to have a say in the debate over nature vs nurture.
En pizza i Jordbro
The fifth movie of the kids from a school class in Jordbrovägen which the director has followed for over 24 years allows the now adult children through interviews talking about their lives. This is interspersed with inklipp from their everyday life and work, as well as clips from the previous movies.
Father of the City
A film about "the father" of Malmö Eric Svenning and how the city has developed during his time.
Stadens själ
När Domus kom till stan
A documentary about Domus department stores in Sweden.