A Night in the Life of Jimmy Reardon (1988)

It is a youth film about the boys in their late teens spend before they become adults. Sho and Tiaga, who grew up in the same neighborhood since they were little, are in their last year of high school. They are also the duo who beat the drums at town festivals. However, Taiga announces that he will not play drums this year to prepare to go to college. Sho, who has no plan of his future, cannot think straight. Like The Blue Bird by Maurice MAETERLINCK, the film tells the story of the youth realizing that happiness is not far away.

Three working-class teenage girls in a port city in Bangladesh escape daily hardships and stifling family lives by riding waves on their surfboards and grabbing hold of the fleeting and thrilling sense of freedom that brings.

The feline and weary body of a young girl is surrounded by Christian symbols. Crosses, Sulpician images, miniature altars lose their religious meaning to become merely decorative items. Mixed with plastic toys and photographs, they compose secular still lives. A church service is observed surreptitiously through a ground-floor window, like some strange custom, only to be interrupted by the sound of a moped backfiring, inviting the girl to take flight. This religious setting, often filmed in countershot to the beautiful faces of three teenagers, then gives way to wide shots of the luxuriant nature they are bathed in. Their nimble, young bodies find a perfect refuge in the comfortable branches of a mango tree. But at this age, the thirst for thrills cannot be restricted to a familiar setting. The trio hits the road. Without bothering with narrative dross, Heliconia offers a sensual road-trip and gorgeous tableaux vivants that do justice to film as a medium.

Satirical, shocking and radically stripped back, Measure for Measure from Britain’s Cheek by Jowl and Moscow’s Pushkin Theatre is a gripping, compelling production of one of Shakespeare’s most controversial plays. Indulgent Duke Vincentio leaves Vienna in the hands of his puritanical deputy Angelo, to secretly observe the virtues and vices of his unruly state. When the saintly Isabella pleads with Angelo to release her brother Claudio, sentenced to death for fornication, he agrees on one condition: that Isabella sacrifice her virginity to him.

Jun, Bunji, Kido and Maki spend their days wandering aimlessly in the city of Kisarazu where sense of dread rules the streets while the adults around them desperately wish them to change. One day,they find a kite caught up in electric wires. A coming of age story about wandering days of suburban slackers.

As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.

Mentally ill. Deviant. Diseased. And in need of a cure. These were among the terms psychiatrists used to describe gay women and men in the 1950s, 1960s, and early 1970s. And as long as they were “sick”, progress toward equality was impossible. This documentary chronicles the battle waged by a small group of activists who declared war against a formidable institution – and won a crucial victory in the modern movement for LGBTQIA+ equality.

A young boy becomes infatuated towards an older woman. TV movie based on Eduardo Barrios's novel of the same title.

Pertsa and Kilu are two neighbour boys with different backgrounds. They live adventurous life of a young imaginary mind in small harbour town. Accidentally they get involved in a bank robbery. Through their own investigation of the case, imagination and real danger gets mixed and leads to great adventure where friendship and courage is on stake.

A portrait of the Chicago Near-North nightlife scene in the mid-1960s, centering around the struggles and romantic desires of an African American singer played by long-forgotten folk sensation Willie Wright. (Courtesy Chicago Film Archives)

In the face of consistently growing obstacles, young people continuously have to find the strength and perseverance to overcome. What is the collateral damage of always having to find a way to get through?

Ulises and Viri share similar stories with their friends on the border between the United States and Mexico. Atrocities and desires will lead them to reconsider their way of life.

Gordie, Chris, Teddy and Vern are four friends who decide to hike to find the corpse of Ray Brower, a local teenager, who was hit by a train while plucking blueberries in the wild.