Codelli (2017)
Genre : Documentary
Runtime : 1H 25M
Director : Miha Čelar
Synopsis
Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.
To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
Charlie, the protagonist of the Slovenian film “Porno Film”, is so dedicated to his porn viewing that his two friends John and Frank jokes that he must have a PhD in pornography by now. Using Charlie’s extensive knowledge of all things porn, the trio sets out to make the “first real Slovenia porn film”, in Slovenian language and everything — except the women in the film are emigrated Russian hookers, and their Slovenian isn’t very good.
After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.
Two boys, Kekec and Rozle, come to serve a farmer, with a blind daughter Mojca, as shepherds. As the night falls, the two boys start talking about a woman who lives in the mountains and is supposed to steal children. Her name is Pehta. In the morning, Kekec, Rozle and Mojca go to an Alpine cottage and Kekec promises Mojca that he will find her a remedy for her eyes. As the girl is picking flowers, Pehta arrives and takes Mojca into her cottage. She wants to keep Mojca because of her singing.
2009, Slovenia. For 30 years, Alija, the miner, has been one of the many Bosnian immigrant workers. Due to the crisis, miners are losing jobs. Alija is sent to check an abandoned mine. His task is to quickly make sure the mine is empty before management sells the company. But in the mine, Alija finds hidden proof of executions after WWII. He is told to stop digging and report the mine empty. He decides to continue, although he is risking his job. Alija discovers thousands of executed people. He informs the police. He found women among the dead. Some of them were civilians, missing persons, just like his sister that was lost in the 1995 genocide in Bosnia. Alija is convinced the victims need to be brought out, identified and buried. But there is no interest in doing that. The mine is proclaimed a WWII military grave and walled in. The dead will stay unburied. Alija loses his job and struggles to preserve his dignity.
A story set in a Slovenian village during Italian occupation. Stefuc, a man who has been widowed twice and has four daughters, wants to get married for the third time with Zana, who's already engaged and pregnant with Ludvik. Stefuc tries to separate them away, but realizes that he'll have to marry Hedvika, a nice looking girl who has just returned from Milan. In the meantime, Italian fascist authorities decide to eradicate five Slovenian songs with the help of local traitors.
Laibach is a Slovenian avant-garde music group associated with industrial, martial, and neo-classical musical styles. They formed on June 1, 1980 in Trbovlje, Slovenia (then Yugoslavia). Laibach represents the music wing of the Neue Slowenische Kunst (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the German name for Slovenia's capital city, Ljubljana.
Set in a Slovenian coastal town in WW2, the film tells a story about villagers who help partisans to get rid of Italian, and later German authorities that ruled the town in the last years of occupation.
The only true friend he had was an wolf. Or was it a dog?
A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.
On the surface a straightforward tale of the search for a buried treasure, the film is a textbook example of German expressionism, with the passions of the protagonists conveyed as much through symbolism as action.
Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.
Slovenia, Australia and Tomorrow the World is a drama film with elements of comedy. The central character Boris works as a machinery maintenance man in a factory, hoping that his work and efforts will be awarded in the future. And indeed, he is given an opportunity by Cosmica, a company providing door-to-door sales and counselling services as well as investment in securities.
A student of music education comes to the music festival where organizers mix him up with the conductor. He accepts the role which creates lots of comic situations.
In an alpine valley lies an idyllic village. High up in the mountains, facing each others across live two men: a "good grandpa" and an "evil man".
Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.
1905 short film showing people walking down a Ljutomer street after mass.
Two "milice" officers Janez and Franci are back after 20 years. This time they have to deal with Czech mafia and their leader Franta.
Marko, Adi, Aco and Dejan hag out in front of block of flats in Fuzine. Marko is pissed because he quit playing basketball and because the sexy TV presenter doesn't notice him and because his father Radovan is going to beat him up for quitting basketball. Adi is irritated by the fact that his brother Sanel is a drug addict and because his father Mirsad prefers to shang waitresses somewhere in Austira rather than to deal whit this. Makarovicka chefur girl gives a hard time to Aco and he would like to tak a revenge on Damjanovic - bus driver. Dejan is anxious because his mother Sonja wants to move to Slovenske Konjice. Policemen stop the boys one night and their world starts to disintegrate.
An ex-partisan and current political activist sets out to Styria region in Slovenia to buy out the wheat from peasants and convince them to form the farming collective. His ostensible success (based on blackmailing rather than convincing), as well as his love defeat, make him disturbed and he kills an innocent man while performing a social mission.