Good Glue Sticks (1907)

In this sound-era silent film, a tramp falls in love with a beautiful blind flower seller.

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

In Disney's take on the Alexander Dumas tale, Mickey Mouse, Donald Duck and Goofy want nothing more than to perform brave deeds on behalf of their queen (Minnie Mouse), but they're stymied by the head Musketeer, Pete. Pete secretly wants to get rid of the queen, so he appoints Mickey and his bumbling friends as guardians to Minnie, thinking such a maneuver will ensure his scheme's success. The score features songs based on familiar classical melodies.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Goofy's in the driver's seat, Mickey's in the kitchen, and Donald's in bed in Mickey's high-tech house trailer. When Goofy comes back to eat breakfast, leaving the car on autopilot, it takes them onto a dangerous closed mountain road. When Goofy realizes this, he accidentally unhooks the trailer, sending it on a perilous route. They come very close to disaster several times, while the oblivious Goofy drives on and hooks back up to them.

The Tramp struggles to live in modern industrial society with the help of a young homeless woman.

The Tramp gets drunk in a hotel lobby and causes some misunderstandings between Mabel and her lover.

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger

Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.

Everyone knows that the stork delivers babies, but where do the storks get the babies from? The answer lies up in the stratosphere, where cloud people sculpt babies from clouds and bring them to life. Gus, a lonely and insecure grey cloud, is a master at creating "dangerous" babies. Crocodiles, porcupines, rams and more - Gus's beloved creations are works of art, but more than a handful for his loyal delivery stork partner, Peck. As Gus's creations become more and more rambunctious, Peck's job gets harder and harder. How will Peck manage to handle both his hazardous cargo and his friend's fiery temperament?

After being evicted from their old house by Tom's owner for causing major damage, cat and mouse Tom and Jerry enter a race entitled the "Fabulous Super Race" to win a mansion.

When the eternally optimistic Poppy, queen of the Trolls, learns that the Bergens no longer have any holidays on their calendar, she enlists the help of Branch and the rest of the gang on a delightfully quirky mission to fix something that the Bergens don't think is broken.

Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

When a car hits young Victor's pet dog Sparky, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them that Sparky's still the good, loyal friend he was.

Margo, Edith, and Agnes spot an ice cream truck. The three of them go after the truck but Agnes falls as she attempts to pedal to the truck. The Minions, seeing her so upset by this, decide to build her a unicorn-themed motorcycle. Agnes goes for a little ride around town.

A Minion, seeing many owners walk their dogs, wants a puppy of his own. He tries to leash a ladybug but fails. Luckily, a UFO that sweeps away the ladybug somehow agrees to become a Puppy.

The residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet.

Susan Murphy (a.k.a. Ginormica) and the Monsters are now working with the US government as special ops. So when an alien presence is detected in Susan's hometown of Modesto, California -- right before Halloween -- the team is dispatched to investigate. Everything appears normal, right down to the jack-o-lanterns peering out from every doorstep and windowsill. But when Halloween arrives, those innocent-looking carved pumpkins reveal themselves for what they really are mutant aliens. The altered pumpkins then start to implement their fiendish plan to take over Earth. The Monsters are there to combat the mutant gourds and try to smash their wicked scheme!

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

A Chinese conjurer stands next to a table, it becomes two tables. A fan becomes a parasol, lanterns appear and disappear. The conjurer spins the open parasol in front of himself, and a dog leaps out from behind it. The dog becomes a woman, then a masked man appears. The conjurer sits them each on a box a few feet apart: suddenly the woman and man have changed places. The disappearing and the transfers continue in front of a simple backdrop.

Into a photography studio full of large fantastic machines steps an elderly couple. The bearded proprietor explains the equipment and gives them a demonstration: he starts machines whirring, and projects a painting of three women onto a large screen; suddenly the women begin to move. The customers are impressed. First the women sits in the special seat: she's projected onto the screen, and her good nature comes out in the laughing image. Then it's the man's turn, but the machine discloses a vastly different nature in him. Will his reaction threaten our proprietor's inventions?

A fine magician of the Royal Court materialises an elegant attire from a transparent glass container, and then, a refined dandy appears, as an ornate palanquin is summoned. Now, what does the illusionist have in mind?

A combination gambling den and bawdy house is set up so that croupiers, patrons, prostitutes, and the owner can quickly change it all into a mercantile establishment when the cops stage a raid.

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)

A wizard sleeps at a table in his well-appointed sitting room. From a drawer in the table, a snake appears.

As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then has a large box brought in. It is opened, revealing a very large folding fan. When the fan is spread out, the designs on it begin to change and move. And this is far from the last of the surprises that the conjurer has in store.

A magic show.

In a public place in Constantinople at the corner of a bazaar, the executioner is seated upon a stone and is resting from his daily labors while eating a crust of bread. Suddenly there come running into the place a lot of Turkish men and women preceding some Turkish policemen, who drag along four prisoners in chains. The policemen shut up the four prisoners in the pillory. Their four heads stick up through the huge plank, which is provided with four openings. One of the policemen urges the executioner to decapitate the prisoners. He accordingly seizes a mighty sabre and cuts off by a single stroke the four heads, which roll upon the ground.

When a young girl finds a beautiful dead lily in the woods, she asks her grandfather to tell her about it. The lily stands in splendour beside a stream, admired by the creatures of the woods. But an army of beetles, bent on conquering new territories, wants to cross the stream - and the lily is blocking their way. An unashamed allegory of the German rape of Belgium.

Through puppets and animation, a traveler tells his story of walking through Settsu, coming to the town of Ikuta. He asks if someone can show him the Seeker's Mound. Late that day, a solitary maiden says she will lead him there.

In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens.

A policeman spots a dog stealing a piece of meat from a butcher's shop, and gives chase. Soon several more policemen have joined the pursuit. But the chase does not turn out as the policemen expect.

A cook has his hands full with three mischievous devils, who pop in and out of his kitchen.

A WWI English officer is inspired the night before a dangerous mission by a vision of Joan of Arc, whose story he relives.

A short film about a dirigible.

A haunting look at children watching television.

A housewife tires of her husband's annoying behavior and returns to her mother. At first, the husband is quite pleased to have the house all to himself. But he quickly discovers that even the most basic domestic chores can be fraught with difficulty.

A young American has her ship torpedoed by a German U-boat but makes it back to her ancestral home in France, where she witnesses German brutality firsthand.

The stations of Christ's life are segmented into a series of performative tableaux.