The Hinzpeter Story (2018)
Genre : Documentary
Runtime : 1H 35M
Director : Chang Young-joo
Synopsis
In May of 1980, the city is locked down and phone lines are dead because of protests and struggles in demand of democracy. Just when Gwangju was being ignored by the media, Jurgen Hinzpeter, a reporter from Germany, sneaks in despite the danger!
May, 1980. Man-seob is a taxi driver in Seoul who lives from hand to mouth, raising his young daughter alone. One day, he hears that there is a foreigner who will pay big money for a drive down to Gwangju city. Not knowing that he’s a German journalist with a hidden agenda, Man-seob takes the job.
In 1987 Korea, under an oppressive military regime, a college student gets killed during a police interrogation involving torture. Government of officials are quick to cover up the death and order the body to be cremated. A prosecutor who is supposed to sign the cremation release, raises questions about a 21-year-old kid dying of a heart attack, and he begins looking into the case for truth. Despite a systematic attempt to silence everyone involved in the case, the truth gets out, causing an eruption of public outrage.
In the spring of 1999, a group of old friends gather to celebrate their 20 year reunion. Among the group is Yeong-ho, a cold, unhappy man, whose demeanor puts a damper on the festivities. The seriousness of Yeong-ho's depression becomes apparent when he climbs a railroad bridge and looks like he might jump. At this crucial moment, memories of seven crucial episodes from Yeong-ho's past flood his mind.
In the early 1980s, South Korea is torn by student protests over the lack of representation in the government. Song Woo-Seok is a successful attorney in Busan specializing in tax law. His views regarding civil liberties are changed by student activist Park Jin-woo. When Jin-Woo is brutally tortured and put on trial for his activism, Woo-seok decides to defend Jin-woo as his client.
26 years ago, state troops were ordered to open fire on civilians in the city of Gwangju who were demonstrating as apart of a democratic movement. Thousands of civilians were killed. Now, a shooter from the national team, a gang member, a policeman, CEO from a large company and director of a private security outfit get involved in a plan to convict the person responsible for the massacre.
When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.
The citizens of Gwangju lead a relatively peaceful life, until one day the military takes over the city, accusing the residents of conspiracy and claiming that they are communist sympathisers preparing a revolution against the current government. Seeing as the soldiers beat defenceless people, mainly students, to death, the citizens are in for retaliation and form a militia.
On September 4, 1984, democracy movement leader Kim Jong Tae (Park Won Sang) is arrested and taken to an infamous interrogation facility in Namyeong-dong. For the next 22 days, he would be cruelly and continuously tortured in all manners by interrogators intent on forcing him to confess to communist collaboration.
Blending politics with romance, noted director of “The Housemaid” weaves a story of two activists in hiding in a remote shack. The intimate setting proves to be fertile ground for hidden desires.
A well-meaning but politically naive barber gets pulled into the inner circle of the South Korean dictator Park Chung-Hee, with rather baleful consequences for his hapless family. This sharp political satire covers roughly twenty years in South Korean political history, from the viewpoint of the barber's son.
20 years after discharge from the army and now an excavator driver, a former paratrooper who had been mobilized to suppress the May 18th Democratic Uprising in Korea in 1980, happens to find a skull in the ground one day. Driving his excavator, he pays visits to his former superiors one by one and realizes they were all both assailants and victims of the times.
1980, Kwang-ju is fired up about a genius pitcher, a senior in high school. Ho-chang takes confident strides across the field making his way by cutting through the sand dust. He’s a university scouter on a mission. His task is to scout the genius pitcher, SUN Dong-yeul, a master of baseball who may be scouted to a rival university. But he is no where to be seen. But Ho-chang is determined to not let down his reputation as a successful scouter, and his scouting mission of 10 days begin! An original story of a scouter on a 10 day mission full of undisclosed history will now unfold!
A young girl is caught up in the 1980 Gwangju massacre, where Korean soldiers killed hundreds, if not thousands, of protesters who opposed the country's takeover by the military the year before. Flashbacks show the girl seeing her mother shot to death in the massacre. The film spurred the Korean public to demand the truth behind the incident, and their government eventually opened previously classified files on the massacre.
KIM-GUN searches for the whereabouts of a young man whose identity has sparked a national controversy over the 1980 May 18 Gwangju Uprising. Starting with the vague memories of those who had crossed paths with him during that time, the film tracks down those who participated in the Uprising as “Citizen Soldiers.” It also traces KIM’s final steps, based on photographic clues found in the firearms he carried and the “Surveillance Truck No. 10” in which he rode. By identifying KIM-GUN, we believe that we can find valuable leads to resolving the ongoing controversy over May 18. Why did a nameless young man join the Uprising? Why did he take up arms? Where has he gone afterwards? It is the answers to these questions that the film seeks.
This is the story of a father who died mysteriously in May of 1980, a mother who lives in the shadows with a bullet in her head and not being able to forget May 18th and their daughter, and the nation's greatest comedian, Hee-soo.
Chae-geun is a driver for hire with manic depression. He often talks to his son who is studying in the States and tells him he would keep his promise. He does a favor by acting as a temporary fiancé of a single woman named Jin-hee, who works as a waitress at a restaurant he frequents. Her father, who was a victim of the Gwangju Uprising in 1980, shows him a gun he stashed away 39 years ago and asks Chae-geun to help him exact revenge on those who were responsible for the May 18 incident.
In May of 1980, the city is locked down and phone lines are dead because of protests and struggles in demand of democracy. Just when Gwangju was being ignored by the media, Jurgen Hinzpeter, a reporter from Germany, sneaks in despite the danger!
Cheol-gi who dreams of a society that embraces justice begins classes at a night school. There he learns about political and social contradictions and the realities the people face. While doing research on factory conditions with his classmates Tae-il, Min-sook and laborers Hyun-sil and Bong-joon, Cheol-gi learns about the Revitalizing Reforms system and the improper practices in emergency measures. After the military revolution, during the election for a general student body in a move towards democracy, Cheol-gi unwittingly becomes a man on the run when emergency martial law is implemented in response by the government. Cheol-gi blames himself when hears about the deaths of Tae-il and Min-sook during the Gwang-ju Uprising from Hyun-sil and Bong-joon. Just when he and Hyun-sil try to start a new life together, Cheol-gi is arrested and put in jail. Inside the prison, he starts another move towards prison democracy.
The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.
This year is the 30th anniversary of the Gwangju Democratization Movement. Though the country commemorates the event as the official historical records, it does not include any 'real' accounts of the people who experienced it firsthand. The students who were part of the movement; the female vendors who made rice balls for the students; the female high school students cooked at the government building; now, past their middle age, they live as ordinary citizens in Gwangju city. How is the event remembered by these people?