Parisian Blinds (1984)

Gunslinger Rory Calhoun dispenses his own brand of justice in this action-packed Western adventure costarring Rod Cameron and Ruta Lee. It's been three years since gunfighter Blaine Madden (Calhoun) visited his hometown. So when he warns the Sully brothers to stop harassing the town drunk, they shoot the old man dead, not realizing he's Madden's father. Killing them both, Madden is badly wounded by the sheriff (Cameron) but escapes to an outlaw haven where the law fears to tread and prepares what may be his last stand. Written by Jo Heims (Play Misty for Me), The Gun Hawk was the final film directed by Edward Ludwig, whose nearly 50-year career spanned over 100 shorts, TV episodes and features, including the John Wayne hits The Fighting Seabees, Wake of the Red Witch and Big Jim McLain.

The wife of a psychoanalyst falls prey to a devious quack hypnotist when he discovers she is an habitual shoplifter. Then one of his previous patients now being treated by the real doctor is found murdered, with her still at the scene, and suspicion points only one way.

In Tourist, Barbara Hammer depicts a trip to Europe: the flow of images is manipulated with a syncopated rhythm, to alter the perception of places that appear well-known and to instill a feeling of anxiety ...

Place Mattes explores the space between reaching and touching. Animation and optical printing are used to create travelling mattes for places, confounding the difference between eternal and internal.

The dissolution of a relationship unravels through visual and aural equivalences. Schneemann splits and recomposes actions of the lovers in a streaming montage of disruptive permutations: 8 mm is printed as 16 mm, moving images freeze, frames recur and dissolve until the film bursts into flames, consuming its own substance. Sound: Carolee Schneemann. -- EAI

"Barbara Hammer's Optic Nerve is a powerful personal reflection on family and aging. Hammer employs filmed footage which, through optical printing and editing, is layered and manipulated to create a compelling meditation on her visit to her grandmother in a nursing home. The sense of sight becomes a constantly evolving process of reseeing images retrieved from the past and fused into the eternal present of the projected image. Hammer has lent a new voice to the long tradition of personal meditation in the avant-garde of the American independent cinema." -- John Hanhardt, Biennial Exhibition Catalogue, Whitney Museum of American Art, New York, 1987

Slick lawyer Thomas Farrell has made a career of defending mobsters in trials. It's not until he meets a lovely showgirl at a mob party that he realizes that there's more to life than winning trials. Farrell tries to quit the racket, but mob boss Rico Angelo threatens to hurt the showgirl if Farrell leaves him.

Dashing reporter Vincent Bullit has just returned from covering the Spanish Civil War. His boss, newspaper magnate Fullerton, has more plans to send him off to China. However, first Fullerton invites Bullit to the peace and quiet of his own home to write a series of European affair articles. When Fullerton's adolescent daughter Alice develops a crush on Bullit, her suitor, boyscout Ken Warren, doesn't seem to stand a chance. Mr. and Mrs. Fullerton, Ken Warren, and even Vincent Bullit himself do their best to sway young Alice's feelings away from the older man. It's a difficult task though, as she is at 'that certain age.'

In the American suburbs, two women mysteriously and sensuously entwine in this slow-burning, saucy, abstracted fable on the longing and laboring female body.

In San Francisco, a psychopathic gangster and his mentor retrieve heroin packages carried by unsuspecting travelers.

The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.

"Moons Pool" is a masterful and lyrical use of the film medium to portray the search for identity and resolution of self. Photographed under water, live bodies are intercut with natural landscapes creating powerful mood changes and images surfaced from the unconscious." – Freude Bartlett