Miakhloeba (1989)

Failing in his desperate efforts to find his beloved owner, an abandoned dog eventually joins a canine revolt leading a revolution against their human abusers.

In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.

A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…

Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities.

The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...

Lithuania, 1977. Memories of childhood, adolescence, and first love in a small provincial town, shown through complexity of human relations at this periodical film.

Two monks on a mission choose very different paths

Directed by Zaza Khalvashi.

The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron

A full-blooded, interesting life has long eluded the house where a mother, father, son and daughter live. Trivial household matters, conversation at dinner about duty — that's all that connects them. The situation changes when it becomes known that the family inherited the village house, and that it will probably be necessary to enter into a struggle with the joint heirs. From the bottom of chests, old albums and documents confirming the priority of the family are extracted, and intrigues begin ...

The short film (conveyed in a parable-like story structure) follows a man devoted to himself and the blessings of his attributed god. He struggles to survive a primitive life and is forced to take action to ensure his own prosperity.

Film geek Josh is looking for the subject of his new documentary when a chance meeting puts the perfect star in his sights—Dylan, his school's most popular junior. But Dylan's hopes of using the film to become Blossom Queen don't quite match with Josh's goal to make a hard-hitting exposé about popularity. Will Josh shoot the film as planned, or show Dylan as the truly interesting person she is?

Nijima, a white-collar worker, finds the man responsible for his young daughter’s murder. He tortures and interrogates the man, who maintains his innocence, before killing and burying him. He returns to his ordinary life feeling listless and hollow, until he meets an old friend who introduces him to his hapless band of hired killers.

A very typical post-Soviet era storyline. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated, then gang raped her. Local cops are incapable to undertake an adequate actions against the scoundrels - prevented by the superior chief of the local police, who is the dad of one of the scumbags. The case is closed. The girl's granddad tired of an endless circumlocution decides to take revenge in his own hands.

Happy young married couple Paige and Leo are, well, happy. Then a car accident puts Paige into a life-threatening coma. Upon awakening she has lost the previous five years of memories, including those of her beloved Leo, her wedding, a confusing relationship with her parents, or the ending of her relationship with her ex-fiance. Despite these complications, Leo endeavors to win her heart again and rebuild their marriage.

This is the last of the infamous German "Schoolgirl Report" movies. The story involves a bunch of teenagers and their teacher rehearsing "Romeo and Juliet" and discussing tales of modern love.

After her son Kevin commits a horrific act, troubled mother Eva reflects on her complicated relationship with her disturbed son as he grew from a toddler into a teenager.

A childless couple bury a box in their backyard, containing all of their wishes for an infant. Soon, a child is born, though Timothy Green is not all that he appears.

Roger is a 16-year-old who seeks to lose his virginity in this erotic drama. His initial efforts are unsuccessful, but World War I breaks out and men are seen marching off to battle. Roger goes overboard when he is presented with several amorous opportunities.