Bombairiya (2019)

A man suffering from anterograde amnesia as a result of a violent attack in the past sets out to avenge his girlfriend's death with the aid of photographs, notes and tattoos all over his body.

Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.

Sameer, fast at losing his temper is re-located to Goa where he falls in love with Rani. But Sameer's new roommate Sunny, has some plans of his own.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.

After getting bored with her love less marriage life, a wife decides to get a breathe of fresh air and meets a hit man.

The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.

The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.

When Governor Jaisingh Sinha is murdered, the needle of suspicion points towards his estranged son Sahil who has been fighting with his father over the girl he had chosen for him to marry. Sahil is in love with Isha but the governor wanted him to marry Sheetal. Now Sahil must prove his innocence and find out who the killer is.

Inpired from the movie "Liar Liar", this movie is about a lawyer (Govinda) who lies his way through marriage and career. His wife (Sushmita Sen) falls in love with him because of his honesty and when she finds out of his dishonesty she threatens to divorce him. Their son, to avoid the divorce, wishes on a shooting star that his father should lose the ability to lie. What happens after that is an enjoyable journey.

Sidharth (Aamir Khan), is a Mumbai 'Tapori' and a boxing champion. His elder brother, Jai (Rajat Kapoor) works with Raunak Singh (Sharad Saxena), who now rules their "Basti" through terrorising its people and collecting 'Hafta' from local merchants. Sidharth idolized his father, a freedom fighter, whom he saw falling to his death as a child. This effects Sidharth through his adult life. Sidharth meets a young girl, Alisha (Ranee Mukherjee), who rides with a motorcycle gang and Charlie (Deepak Tijori), the gang leader. Sidharth also meets Hari, whose idealism reminds him of his father. Hari's social work in the community possess a threat to Raunak Singh's evil empire. What happens to Hari changes Sidharth's life forever. How Sidharth breaks Raunak Singh's chains of 'Ghulami' around the community forms the crux of the story. Featuring the superhit song "Aati Kya Khandala" sung by Aamir Khan.

In a village circa the British rule in India, lives a young school-going male named Amal, who is shortly to get married to a girl named Rajni. The traditional ritual-filled marriage takes place, the young couple are then left alone for a few days, and this is where the two develop their love and friendship. Then Rajni must return to her parents' house, while Amal continues with his studies in school, and at home with Masterji, an elderly teacher. His life is enlivened occasionally when Rajni is permitted to visit. Rajni next visit is scheduled for Durga Pooja, but she does not come, instead she comes at Vijay Dashami, to stay there for a couple nights, before going on a Tirth Yatra with her family, where they are scheduled to visit all the holy places in India namely, Benaras, Gaya, Mathura, Vrindavan, Hardwar, Nasik, Hrishikesh, Dwarka, Rameshwaram, Kamakshya, Puri, and Konarak.

The young Shivudu is left as a foundling in a small village by his mother. By the time he’s grown up, it has become apparent that he possesses exceptional gifts. He meets the beautiful warrior princess Avanthika and learns that her queen has been held captive for the last 25 years. Shividu sets off to rescue her, discovering his own origins in the process.

Suraj Singh is a wrestler by profession and has the misfortune of falling in love with wealthy Yashpaul Chaudhary's daughter Komal. When Yashpaul learns of there relationship he arrogantly disagrees of his daughter's choice but Komal refuses to accept her dad's word and gets married to Suraj without the blessings of Yashpaul. Aggravated by his daughter's act Yashpaul connote some negative scenes which spoil Suraj's character in the eyes of Komal resulting in the couple's separation. Before separation, Komal has given birth to a baby boy, which Yashpaul had wanted to kill but Suraj escapes with the child and single-handily brings him up in a poor environment. Years later Komal will return and demand that her child is handed over to her even if having to appeal to the judicial system.

On the eve of Nikhil and Karishma’s engagement, Karishma’s wealthy father, Devesh Solanki, expresses his disapproval, believing Nikhil to be a lackadaisical young man. With one week to prove himself worthy to marry Karishma, Nikhil and Karishma's sister, Meeta, grow closer to each other.

Swati Azad and Mridula are two inseparable friends in college. After successfully completing their college, they get married to Ajay Lal and Milind Khanna respectively. Four years later, Prasad Saxena, another former collegian meets with a pregnant Mridula and informs her that Swati has committed suicide as she had lost her sanity. However, he suspects that she was actually killed by the Lal family. Mridula gets hold of Swati’s diary, reads it, and concludes that the Lal family did kill Swati. She has the case reopened, files various documents in Court, and has the Lals, Ajay and his dad, Hasmukh, charged under section 302 and 34 of the Indian Penal Code. It is here that Mridula will find out that she has opened up a virtual Pandora’s box, for the lawyer representing the Lals is none other than Deepak Khanna, her father-in-law. When Milind finds out he accuses Mridula of trying to disrupt the Khanna family life and tells her that she is losing her sanity.

Chal Bhaag kickstarts with an MLA being murdered by three shooters. The incident coincides with the arresting of Munna, Bunty and Daler for their small time crimes.

Badrinath is looking for a typical bride; Vaidehi is looking for an independent life. Together they must break with tradition and redefine their role

While visiting his comatose wife in the hospital, a serene old professor befriends a vibrant young woman whose husband has also fallen into a coma.

Vikas, the son of a successful lawyer, disagrees with his father over his choice for his life partner; and marries his girlfriend Aarti. They enjoy the bliss of marriage, breaking away from the custom of staying with his widower father. Returning home from a date, they encounter a traumatic incident that makes headline news. This incident changes their lives forever. The trauma keeps intruding into their day to day lives. When Aarti's mother leaves town to take up a new job, the pressure on Aarti and Vikas brings them into the abyss of despair. Can they crawl out of self-hate and emotional estrangement and rekindle their love?