Picco (2011)

Simon and Jota are two young scoundrels who hit the street every day to eke out a living. Each one wants what he lacks. Simon cannot stand being surrounded by his large family all the time. Jota wants to stop leading a lonely life and will do his best to have his own family.

A British family takes revenge into its own hands in avenging their recently slain daughter.

Anna is working at a parisian advertising agency. The director has fallen in love with a young woman he only knows through a photograph, that of Anna.

Ireland 1977. Eleven-year-old Damian Lynch (Scott Graham) is called in at the last moment to serve as an altar boy at an important mass in his local parish. Following his last appearance as an altar boy when he knocked Father O'Toole off the altar, Damien is serving a 3 month ban from his only passion in life...football. To make matters worse, Damian's team, Liverpool FC, are playing in their first European cup final in two weeks time. Damien's father (Michael McElhatton) offers him a reprieve and crucially a chance to see the European cup final if he serves the mass correctly. Damien now faces a choice: either conform to the status quo or never watch his beloved Liverpool play again...

A blind traveling musician is abused and oppressed wherever she goes, even as the modern world imposes change around her.

Jack Carlisle is a disillusioned 13-year old boy. His mother is always away at work since his father left. He decides to run away, as his mom won't miss him. As he is ready to leave, his nanny, convinces him to read this 'magic book'. The book is about a pirate adventure on Magic Island. As Jack reads the book, he is sucked into the world and goes on numerous adventures with Prince Morgan, while fleeing the evil Blackbeard the Pirate. He is even saved by Lily, a beautiful mermaid, whom he falls in love with.

There has never been a documentary like "Land of Look Behind". Relatively unknown due to poor distribution and New York Film Festival skullduggery, this breathtaking film presents a unique epic vision with quasi-dramatic elements and cinematographic wizardry. The non-reggae original soundtrack is outstanding, as is the reggae music of Bob Marley and Gregory Isaacs. The great documentary filmmaker Werner Herzog has called "Look Behind" the non-fiction film that has influenced him most over the last fifteen years. Indeed, this film's peers are the best of Herzog, Bunuel's "Land Without Bread", Flaherty's "Nanook" and Leacock-Pennebaker's "Louisiana Story". With thoughtful viewing, one will see this moving documentary actually end with a lovely little dream sequence. No American has come close to making a film this ingenious in the last thirty years.

The authorities expect the case of Friedel Walter, alias "Dr. Mueller," to be a straightforward one: he was working as a doctor without proper credentials under a false name. But Mehlin, the man in charge of his case, knows that there is more to the story. When he was injured fleeing from a concentration camp, resistance worker Irene asked her medical student boyfriend Walter to give him medical care.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

A drama directed by José Bénazéraf.

An experimental film edited from footage of the Japanese countryside.

IVUL is the extraordinary story of Alex (Jacob Auzanneau), a young man who climbs on to the roof of his house and refuses to ever come back down to earth. His actions devastate his beloved family and we watch as their world falls apart. A dark and mysterious gardener (Tchili from This Filthy Earth) keeps watch over the family but is powerless to exorcise the curse that he feels has befallen them. Meanwhile the twin sisters (Manon and Capucine) provide light but sometimes macabre relief. The world of IVUL is a world of both fairytale and nightmare with the family manor house and forest landscape providing a compelling backdrop to the story.

The story as told by his mother of an eighteen year old boy who falls into a life of drugs and violence and of the consequences to himself and those around him.

The Toth family resides in Northern Hungary. The couple has a daughter and a son, the latter a member of the armed forces. When his weary major is ordered to take a vacation, the son talks him into a visit to his family home. Comedy ensues when the Toths go overboard trying to make things pleasant for the visiting major in hopes of an easier life for their son the soldier.

Young Koko has just moved with his parents from his idyllic countryside home to a big city. There, with the help of his new friends and a neighbour he investigates the mysterious case of a dead old man who used to live in the flat he has just moved into. Koko and the Ghosts is a family film based on a popular Croatian series of young-adult novels written by Ivan Kušan.

A non-narrative tribute to the seaside town of Onomichi, where Obayashi grew up and where most of these films were made.

The influence that artists Pablo Picasso and George Braque had on the world of cinema is the subject of this documentary from filmmaker Arne Glimcher. A lifelong lover of film, Picasso was intrigued by the machines used to create moving pictures, as well as the images they produced. In this film, artists such as Martin Scorsese, Julian Schnabel, Chuck Close, and the late Robert Rauschenberg reveal how Picasso and Braque's shared love of film helped to create some of the greatest art of the 20th Century. ~ Jason Buchanan, Rovi

At the end of the year 1942 and the start of 1943, to stop spreading the revolution in county of Bitola, bulgarian occupiers are reinforcing the persecutions and the acts of violence on civil population. The movie is based on true events,