The Best of Everything (1959)

Madison Avenue executive Graham Marshall has paid his dues. A talented and devoted worker, he has suffered through mounting bills and a nagging wife with one thing to look forward to: a well-deserved promotion. But when the promotion is given to a loud-mouthed yuppie associate, Graham unleashes his rage on an overly aggressive panhandler, who he accidently kills by pushing him into the path of an oncoming subway train. He re-thinks his problems with an entirely new solution. First, he arranges an "accident" for his annoying wife. Then he creates another "mishap" for his boss. It seems like the world is once more Graham's oyster…but a missing cigarette lighter and a prying police detective may change all that.

A young woman pretends to be pregnant in order to avoid being fired from her job. When that gets her a bunch of special treatment by everyone involved in her life, she tries to keep up the lie for nine months.

Tom Rath (Gregory Peck) is a suburban father and husband haunted by his memories of World War II, including a wartime romance with Italian village girl Maria (Marisa Pavan), which resulted in an illegitimate son he's never seen. Pressed by his unhappy wife (Jennifer Jones) to get a higher-paying job, Rath goes to work as a public relations man for television network president Ralph Hopkins (Fredric March). Drawn into poisonous office politics, Tom finds he must choose his career or his family.

Jerry Webster and Carol Templeton are rival Madison Avenue advertising executives who each dislike each other’s methods. After he steals a client out from under her cute little nose, revenge prompts her to infiltrate his secret "VIP" campaign in order to persuade the mystery product’s scientist to switch to her firm.

A bachelor afraid of marriage angers his long-time girlfriend by buying a splendid townhouse just for himself, only to find it haunted by the ghosts of a famous theatrical couple, who teach him about love and commitment.

After the sudden death of magazine publisher Colonel Ryder, his nephew, Tony inherits the magazine and has big plans to expand it. While negotiating a loan from the bank, Tony gets a call from a detective surrounding his uncle's death. It turns out Colonel Ryder died in his hotel room with a smile on his face and a young woman was seen fleeing his room wearing only a towel. Suspicious of this woman and afraid the magazine's wholesome image may be tarnished and their loan denied, Tony asks the detective to stick around and find her.

An adman (Dana Andrews) and an adwoman (Eleanor Parker) put a dangerous milk tycoon in line for the White House.

After losing his job at a publishing firm, Immanuel, joins a private insurance company, where he struggles to meet targets. Soon he is exposed to the ruthless inner workings of his new company, which follows various unethical practices and denies several of his clients' claims on flimsy grounds.

Two brothers get caught up in a bitter battle for honor when they attempt to save their ailing publishing company by having an uncultured but attractive woman pose as the author of an unknown talent's literary masterpiece.

Three friends in their mid-20s struggle to navigate their professional and personal lives, colliding head on with the messy, hilarious and dreadful growing pangs of adulthood.