Kate Nash: Underestimate the Girl (2018)
Pop isn't always pretty
Genre : Documentary
Runtime : 1H 28M
Director : Amy Goldstein
Synopsis
In "Kate Nash: Underestimate the Girl," a platinum-selling pop dissident turns her back on the music business and learns how to survive as a punk renegade, TV wrestling queen, and DIY leader of an all-girl band. This high-energy, female-centered rock odyssey reveals the treacherous line that today's artists must walk to survive while making art on their own terms in the modern digital economy.
Disenchanted with the movie industry, Chili Palmer tries the music industry, meeting and romancing a widow of a music executive along the way.
The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.
In the late 1990s, a drug-addled nihilist resorts to murder to climb the ladder of the London music industry.
Teenage musicians travel to England's Spike Island in the hope of attending an outdoor performance by their favorite band, the Stone Roses.
Two South Africans set out to discover what happened to their unlikely musical hero, the mysterious 1970s rock 'n' roller, Rodriguez. The film won Best Documentary at the 85th Academy Awards.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
Supermensch documents the astounding career of Hollywood insider, the loveable Shep Gordon, who fell into music management by chance after moving to LA straight out of college, and befriending Janis Joplin, Jim Morrison and Jimi Hendrix. Shep managed rock stars such as Pink Floyd, Luther Vandross, Teddy Pendergrass and Alice Cooper, and later went on to manage chefs such as Emeril Lagasse, ushering in the era of celebrity chefs on television.
The record label Death Row Records has, since its creation in 1993, been synonymous with the American hip-hop climate. Formed by ex-bodyguard Suge Knight, the label has released seminal rap albums from luminaries including Dr. Dre, Snoop Doggy Dogg, and the famous hip-hop martyr Tupac Shakur. WELCOME TO DEATH ROW is a fascinating, well-researched documentary which explores the history of this intriguing and incredibly significant company.
Frankie is an emotional train wreck, careening around the East Los Angeles music scene drinking and meeting strangers. Lev is a taciturn and tormented soul. He drives a limo and wants to work in the music business. They begin a relationship after they connect with each other one night at a party.
The remarkable story of the legendary Motown Records is told through exclusive interviews with the label’s visionary founder, Berry Gordy, and many of its superstar artists and creative figures, as well as rare performances and behind-the-scenes footage unearthed from Motown’s vaults and Gordy’s personal archives.
A clean-cut synth artist in Germany hopes to turn his career around with the help of a washed-up, erratic, publicity-crazed American manager.
The haunting story of music executive Drew Dixon as she grapples with her decision to become one of the first women of color, in the wake of #MeToo, to come forward and publicly accuse hip-hop mogul Russell Simmons of sexual misconduct. A gripping and profound examination of race, gender, intersectionality, and the toll sexual abuse takes on survivors and on society at large.
A successful music producer quits the industry and exiles himself in upstate New York, but the solitude he seeks is shattered when his estranged son and the pop star he's created come looking for answers.
Though several actors portray Elvis Presley at different stages of his life, this documentary is comprised mostly of actual performance footage and interviews with Elvis, his fans and those close to him. This biographical docu-drama features rare footage of Elvis and dramatically recreated scenes from Elvis' life.
Shot around the breathtaking coastline of B.C.'s Howe Sound, Whale Music is the triumphant adaptation of Paul Quarringaton's Governor General's Award-winning novel about the redemption of a faded rock star through love and music. Richard J. Lewis' exploration of the reclusive musician's efforts to create a piece of music that will summon the whales is a sensory and emotional tour de force. Written by Vancouver Film Festival, Handbook
Sabri, a barber in Yozgat - a very small city in the middle of Anatolia - has an emotional breakdown when he runs into Yavuz and Neşe, who come to the town to sing in a small music hall-bar. This will also affect Neşe and Yavuz. None of their desires will be how they want them to be.
In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.
This is the story loosely based on Cleveland disc jockey Alan Freed, who introduced rock'n'roll to teenage American radio audiences in the 1950s. Freed was a source of great controversy: criticized by conservatives for corrupting youth with the "devil's music"; hated by racists for promoting African American music for white consumption; persecuted by law enforcement officials and finally brought down by the "payola" scandals.
Adrian Edmondson narrates a documentary chronicling the story of Stiff Records, a tiny independent that took music out of the boardroom and gave it back to the fans. Stiff's successes included Nick Lowe, the Damned, Elvis Costello, Ian Dury, Madness, Tracey Ullman and the Pogues. Contributors include Captain Sensible, Jonathan Ross, Suggs, Shane MacGowan and label founders Jake Riviera and Dave Robinson.
An Honest and hilarious look at the music industry through the eyes of an all girl rock band.