Vecinos (2018)

Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.

Poindexter "Fool" Williams, his brother Leroy, and their family face eviction from their rented home in South Central Los Angeles. Their landlords are a greedy, uncaring couple who live in a mansion that's as huge as it is eerie. Leroy has a plan to burglarize the mansion, but what the boys find inside is not what they expected.

An ordinary suburban couple finds it’s not easy keeping up with the Joneses – their impossibly gorgeous and ultra-sophisticated new neighbors – especially when they discover that Mr. and Mrs. “Jones” are covert operatives.

When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation. But it's hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation.

A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.

After being hypnotized by his sister in law, Tom Witzky begins seeing haunting visions of a girl's ghost and a mystery begins to unfold around her.

For decades, next-door neighbors and former friends John and Max have feuded, trading insults and wicked pranks. When an attractive widow moves in nearby, their bad blood erupts into a high-stakes rivalry full of naughty jokes and adolescent hijinks.

A turf war has been raging in Oldtown for generations. On one side, The Syndicate - an evil gang of crank-head misfits, who has been set on muscling the San Diego family out of the parcel of land they own in the center of town. On the other side, the San Diego family: Tony and Johnny - twin brothers, and their sister Salsa are the last of a bloodline that stretches back for generations. Their mother, father and brothers were all brutally murdered in a violent clash with The Syndicate years earlier. With their neighborhood becoming increasingly fearful, The Syndicate puts into action another evil advance on their family's fading legacy by kidnapping Salsa - all hell breaks loose. The twins and their best friend Chuck Hank must decide whether to hand over the deed to their families land in order to save their sister or fight, the final fight!

A play-it-safe guy must search for his wife's missing cat, bringing him face-to-face with the colorful, wacky, and sometimes, the more dangerous element of his neighborhood, forcing him to confront his fears and rethink his M.O.

Mary moves back to her suburban hometown to find that the suburbs are scarier in more ways than she ever remembered.

Based on true events, 16 year-old Jamie falls in with his mother's new boyfriend and his crowd of self-appointed neighborhood watchmen, a relationship that leads to a spree of torture and murder.

Bright young student Raymond Aibelli is forced to sidetrack an important medical internship because his mother, Susan, is recovering from a broken leg. When he isn't tasked with the most mundane aspects of Susan's recuperation, Raymond finds distraction in a neighborhood girl, Toni Peck. But, as Susan begins relying on her son for both physical and emotional needs, Raymond starts developing disturbing and unwanted new yearnings.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall.

Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.

Well-intentioned Tin Tan who is always making trouble for other people, sometimes on purpose and sometimes by accident.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

Mario and Clara, his pregnant girlfriend, try to find a new apartment to settle in as soon as possible, so they go to visit one in a distant neighborhood that seems abandoned. Once there, things are not as they expected.

The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.

Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.