Nobody's Fool (1986)

Mona is a young woman, engaged to a man who never shows up. She relies strongly on her supportive friend, Anne. Mona suspects that Anne's psychologist, Dr. Lark, is acting funny towards her friend, and decides to investigate. Mona and Anne will find themselves embroiled in a strange world of psychiatry and fanaticism, in which both young women's lives will be endangered.

Tough Bond is about our irrepressible need as humans for family. We follow 4 kids who find family and a new identity as Survivors, living together on the streets of Kenya, huffing glue to endure the hell of street life. Recorded over 3 years, Tough Bond illustrates the alarming trajectory of the new generation of Kenya's indigenous tribes that has abandoned its broken villages in search of a new life in the nearby towns and exploding city slums.

THE LIFE OF A GRIZZLY IN A CANADIAN NATIONAL PARK FROM THE PERSPECTIVE OF DATA POINTS AND SURVEILLANCE CAMERAS PRESENTS A FASCINATING LOOK AT WHAT IT MEANS TO BE WILD IN THIS INTERACTIVE FILM FROM THE NFB.

Telugu romantic comedy film written and directed by Nandini Reddy under the banner of Sri Sai Ganesh Productions.

The life story of Terry Evanshen, a Canadian Football League star who fell into a coma after a fatal car accident. When he wakes up, he has no recollection of his family or anything else in his life.

Romania, 1986: Gregor and Vali want to get away. Both need each other, yet there is mutual distrust. One night Gregor finds his doubts confirmed. In the end only hope is left.

A family vacation is bogged down by unrelenting rain, as a teenage girl and her divorced father try to find common ground.

In 1989, together with a group of female friends, Su Friedrich rented and renovated an old loft in Williamsburg, an unassuming working-class district of Brooklyn. In 2005 this former industrial zone was designated a residential area and the factories, manufacturers and artists’lofts were priced out by property speculators lured by tax breaks. Friedrich spent five years documenting with her camera the changes in the area. She shows the demolition of industrial buildings and the construction of trendy new apartments for wealthy clients, watching old tenants leave and new inhabitants arrive. As she keeps meticulous record of developments, the extent and speed of the upheaval becomes clear. Her own tenancy agreement expires too and so her documentary images and trenchant commentary become the tools of her growing anger. A documentary of small changes evolves into an historical record of New York, a case study of the rapid gentrification of our cities.

Family friends Sam and Kat spend every Christmas Eve at the Children's Table. They grow up together, sharing the highs and lows of young adulthood. And at thirty, Sam realizes that Kat is the one... but he's afraid that the past will get in the way.

In the Lifetime® movie, THE FANTASIA BARRINO STORY: LIFE IS NOT A FAIRYTALE, a single teenage mother overcomes all odds - sexual abuse, poverty and illiteracy - by relying on her spectacular singing voice. She ultimately gains national prominence as the winner of a hit talent show. Fantasia Barrino plays herself in this modern true Cinderella story. Also starring Loretta Devine, Kadeem Hardison and Viola Davis.

Lorenzo del Escorial (Madrid), where normally, protection and improvement are much more than words. A tale of fears and anxieties, dreams and illusions, games and entertainment, full of nostalgia and the harshness of a reality that was not always happy. Accompany a child grow is a difficult, almost impossible when you have to help you recover and find their way. Aldeas Infantiles SOS does it every day. For an adult, you must first be a child.

As her family falls apart, seventeen year old Sweetness O'Hara is left to fend for herself in a neighborhood where her survival is uncertain.

The Simian Line is an American improvisational film, released in 2001. When Katharine (Lynn Redgrave) throws a party on Halloween, a psychic called Arnita (Tyne Daly) predicts that one of the three couples present at the party will break up by the end of the year. The guests don't take her seriously. Arnita doesn't tell them that she can see a fourth couple at the party, the long dead Mae (Samantha Mathis) and Edward (William Hurt). As days go by, Katharine grows increasingly jealous of her lover Rick (Harry Connick, Jr.), and his flirting with her neighbor Sandra (Cindy Crawford). Sandra is married to Paul (Jamey Sheridan). Marta (Monica Keena) and Billy (Dylan Bruno) are rock musicians who live in the same building as Katharine.

On Christmas weekend in a quaint Texas hotel, JOE BINGHAM, runs into the love of his life, AMY WALKER, the one that got away, she's visiting home for the holiday. The kick is, it's on the eve of Joe's white-winter wedding nuptials to DAISY SPUR, the girl next door who he's settling for. So, Joe has one night to find out if there's a chance he can get back together with Amy before he marries Daisy with no regrets.

Elang, who lived in the flat, is often haunted by images of bizarre murders involving a killer with a rabbit costume. His efforts to solve the mystery and save the lives of the people he presumed in danger, has in turn trapped him in a downward spiral and he became a suspect himself. In proving his innocence, he will be forced to unveil a horrible and long-buried secret.

An obsessive fantasy nerd gradually becomes unhinged when a charismatic hipster joins his role-playing game

Set among the coalfields of Eastern Kentucky, 'Passenger Pigeons' is a story about finding hope and beauty in the dark hills of Appalachia. The film quietly interweaves four separate story lines over the course of a weekend as the town copes with the death of a local miner.

Analía’s mother sends her to Buenos Aires to deliver some handicrafts. She is expected to return home quickly to the country town where she is to take on her family’s hairdressing salon. But by chance an address mix-up leads her to a Muslim community where she finds herself taking part in a ritual completely unknown to her. Enthralled by the new world she has entered, Analía decides on the spur of the moment to take on another identity.

Through the stories of Assaad Shaftari, a former high-ranking militia officer, and Maryam Saiidi, the mother of a missing communist fighter, the film digs into war wounds and poses the question of whether or not redemption and forgiveness are possible.

An insecure wife fears her husband may be straying back to an old flame.