Streetlight Harmonies (2020)

A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.

It's 1968, and four young, talented Australian Aboriginal girls learn about love, friendship and war when they entertain the US troops in Vietnam as singing group The Sapphires.

Take Me to the River is a film about the soul of American music. The film follows the recording of a new album featuring legends from Stax records and Memphis mentoring and passing on their musical magic to stars and artists of today.

In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

Beyonce's London fans go crazy when the Destiny's Child beauty, on her first solo international tour, descends to a massive stage while suspended, upside down, from a wire. After a delicate landing, the star embarks on a set of recent hits immersed in complicated arrangements, including the Arabic sound of "Baby Boy" and "Naughty Girl," the chunky, hypnotic funk of "Hip Hop Star," and Beyonce: Live at Wembley's best performance, the powerful "Work It Out," in which the diva is at her clearest, jazziest, and most soulful. Not everything works. The bottom falls out of "Gift from Virgo," "Be with You" is forgettable, and Beyonce's stage patter needs polish. But a Destiny's Child medley accompanied by only a DJ is innovative and fun, "Summertime" proves a breezy dance number, and "Crazy in Love" is bolstered by what sounds like the old Stax horns.

James Brown was the jewel in the crown, but the throne of Cincinnati’s King Records always belonged to its irascible founder, Syd Nathan. This is the 70th anniversary of the legendary record label and studio. It closed shop nearly 40 years ago, in a now long-neglected warehouse on the neighborhood border of Evanston and Walnut Hills, but its impact still reverberates across today’s music.

Join host Jerry Butler and some of history's greatest doo-wop performers from the '50's and '60's as they celebrate five decades of vocal magic. Recorded live May 11 and 12, 1999 at The Benedum Center for the Performing Arts in downtown Pittsburgh, PA.

An excellent comprehensive look at all the music that came out of Cincinnati, Ohio. Cincinnati "Rock Legends" "James Brown" "King Records" "Pure Prairie League" "Lemon Pipers" "Syd Nathan" WEBN "Bootsy Collins" "Lonnie Mack" "The Who concert 1979" "Rick Derringer"

Stevie Wonder 1974 concert on German TV show Musikladen/Beat Club. 1. Jam 2. Contusion 3. Higher Ground 4. Don't You Worry 'Bout A Thing 5. I Can See The Sun In Late December 6. He's Misstra Know-It-All 7. Living For The City 8. Superstition /// Stevie Wonder vocals, keyboards / Reggie McBride bass / Mike Sembello lead guitar, keyboards / Ollie E. Brown drums / Marlo Henderson rhythm guitar / Denice Williams, Shirley Brewer & Lani Groves background vocals

Journey back in time for a musical event that's as close to time travel as television will allow. Your living room becomes the stage as Little Anthony and the Original Imperials, The Fleetwoods, Little Richard and more shake, rattle and roll for this once in a lifetime performance. Join hosts Frankie Valli, Jerry "The Iceman" Butler and Lloyd Price for an unforgettable evening that you'll watch over and over. ~Filmed May 15 and 16, 2001

It only happens at midnight; a station jingles out of nowhere and a radio starts playing a music. As days progress it becomes addictive to him. He can’t let it go and he becomes a different person. A toxic addiction is always going to make you crave for more. He undeniably needed the music, but his human nature become ecstatic, bitter and conflicted, when the music doesn’t play. As he continues his expedition to find out more about the station, he gets to know that it is also helping him out.

Dr. Feelgood are considered both the pioneers of the 70s punk wave as well as the epitome of the so-called pub rock, the antithesis to the stadium rock. And yet the band was so much more.This DVD contains 23 great Dr. Feelgood tunes, featuring Wilko Johnson, spanning 1974-1977. Seminal, crucial and 100% Rock & Roll.