Celebrating 25 Magical Years of Disney on Broadway (2020)
Genre : Music, Family
Runtime : 2H 40M
Director : Casey Hushion
Synopsis
Enjoy a special stream of Broadway Cares/Equity Fights AIDS’ benefit concert celebrating Disney on Broadway’s 25th anniversary. The online playback will raise money for Broadway Cares’ COVID-19 Emergency Assistance Fund, which is helping everyone in the theater and performing arts community impacted by the pandemic and work shutdown. Ryan McCartan (Frozen) hosted the stream live from his family’s home and will interview special Disney on Broadway stars, from their homes, throughout the evening. The show also included a much-anticipated, high-energy reunion of 18 Newsies from the show’s Broadway and national touring productions, and a moving performance from Broadway Inspirational Voices. The November concert was directed by Casey Hushion. James Abbott was the music director and created the revised orchestrations. Howard Joines was the orchestra coordinator. The creative team included lighting designer Ryan J. O’Gara and sound designers Kurt Fischer and Marie Renee Foucher.
Molly and Terry Donahue, plus their three children, are The Five Donahues. Son Tim meets hat-check girl Vicky and the family act begins to fall apart.
This whimsical Off-Broadway hit musical is aptly reworked and transferred to the screen. The self-descriptively titled Naked Boys Singing is a musical revue of songs that poke fun at gay life, body image, love, loss and yearning.
Based on the controversial off-Broadway musical comedy revue, "Oh! Calcutta!" is a series of musical numbers about sex and sexual mores. Most of the skits feature one or more performers in a state of undress, simulating sex, or both. The show sparked considerable controversy at the time because it featured extended scenes of total nudity, both male and female. The title is taken from a painting by Clovis Trouille, itself a pun on "O quel cul t'as!" French for "What an arse you have!".
New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.
The setting is a farm. Kate Smith and Sally Blane play sisters; assorted relatives live with the sisters, but everyone at home, and in the whole town, depends on Kate to hold everything together. The power company wants to build a dam which will require flooding many of the farms; Kate is holding out; if Kate sells, everyone else will sell; if Kate refuses, the rest of the town will refuse as well. Randolph Scott meets Kate's beautiful sister, Sally Blane, at a dance. Randolph Scott, as it turns out, is an agent for the power company. Kate thinks he's just using Sally; Sally believes that he truly likes her. Randolph comes to the farm and appears to woo Kate. Kate remains unconvinced about selling out, but falls for Randolph.
Three attendees at a puppet theater don various roles in order to sing a variety of songs by Jacques Brel, all while hippies and other eccentrics cavort about them.
A telegraph postal union worker has no luck when asks a pretty co-worker to marry him. She says he'd have to be a magician to get her to say yes. Things are complicated when, as a favor to a stuttering acquaintance, he takes his overweight girlfriend to the movies to propose to her by proxy. Unfortunately the pretty co-worker spots him with her in the theater, so he begins to learn magic tricks.
An all-star cast performs the music of John Kander and Fred Ebb; songs include "New York, New York" and "Cabaret."
During the Great Depression, vaudeville has fallen on hard times. The Palace Theater may have to close its doors, unless the proprietor, William Jenkins, does something different, so he allows his 12-year-old son to put on a kiddie show that packs the house.
A musical revue featuring children, primarily girls, is presented. The first number has a chorus of girls performing a high kicking dance routine with tambourines, before two soloists, a boy and a girl, take center stage to do a gymnastic dance number. The girls chorus then takes over to perform a synchronized song and tap dance style number. Next, the young female orchestra leader introduces the Gumm Sisters, the three who sing and dance on stage by themselves. The final number has another chorus of dancing girls performing an Arabian-themed number.
A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.
An all-star cast performs the music of one of the greatest composers of our time... Stephen Sondheim. Anxiously anticipated by the myriad fans of the legendary composer, Putting It Together marked the return of Carol Burnett to the Broadway musical stage for the first time in over 35 years. Stephen Sondheim has won a record seven Tony Awards for his songwriting, and the Pulitzer Prize for Sunday in the Park with George. His Broadway smash shows and movies include Gypsy, A Funny Thing Happened on the Way to the Forum, Sweeney Todd, Dick Tracy, and West Side Story. This Cameron Mackintosh stage production was captured live in performance during its Broadway run and recorded in high definition with a widescreen format using ten cameras and over 40 microphones.
While breaking into a bank safe, a gangster overhears a bank employee singing and decides to put her in a Broadway revue
